Unseen Truth

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A01=Sarah Lewis
african american studies
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alexander pushkin
american history
american visual culture
art and race
art history
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black history
black power movement
cartography
Category1=Non-Fiction
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caucasian war
charles eisenmann
circassian beauties
circassian beauty
civil war era
constructive imagination
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critical race studies
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eugenics
federal segregation
frank duveneck
history of race
imam shamil
jim crow
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maps
mathew brady
nineteenth century america
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photography
photography and race
politics of sight
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race in america
racial categorization
racial domination
racial hierarchy
racial identity
racial ideology
racial justice
racial myths
racial regime
racial representation
racism in america
segregation
slavery
social justice
softlaunch
vision and justice
visual culture
visual politics
visual representation
white supremacy
whiteness

Product details

  • ISBN 9780674238343
  • Weight: 945g
  • Dimensions: 156 x 235mm
  • Publication Date: 17 Sep 2024
  • Publisher: Harvard University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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American Book Award Winner
Anisfield-Wolf Book Award Finalist
Chicago Tribune, 10 Best Books of the Year
A Hyperallergic Best Book of the Year

The award-winning art historian and founder of Vision & Justice uncovers a pivotal era in the story of race in the United States when Americans came to ignore the truth about the false foundations of the nation’s racial regime.

In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now.

The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them.

To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.

Sarah Lewis is the author and editor of over sixty publications, including the bestselling book The Rise and the award-winning volumes “Vision & Justice” and Carrie Mae Weems. She is the recipient of numerous honors, including the Infinity Award, the Freedom Scholar Award, and the Photography Network Book Prize. Her writing has appeared in the New Yorker, the New York Times, Artforum, and the New York Review of Books. Lewis is the founder of the Vision and Justice initiative and John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University.

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