Victorian Painting of Modern Life

Regular price €167.40
A01=Pamela Fletcher
Abraham Solomon
Age Group_Uncategorized
Age Group_Uncategorized
art history
artists
artworks
Author_Pamela Fletcher
automatic-update
Britain
Category1=Non-Fiction
Category=AB
Category=ACB
Category=AFC
Category=AGA
Category=DSBH
Category=HBJD1
Category=NHD
cities
COP=United Kingdom
Delivery_Pre-order
Emily Mary Osborn
England
eq_art-fashion-photography
eq_history
eq_isMigrated=2
eq_new_release
eq_non-fiction
exhibitions
Ford Madox Brown
genre
genrification
Language_English
midcentury
modernism
modernity
PA=Not yet available
Pre-Raphaelites
Price_€100 and above
PS=Forthcoming
Royal Academy
softlaunch
technology
tradition
United Kingdom
urban
urbanism
William Holman Hunt
William Powell Frith

Product details

  • ISBN 9781032405902
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Dec 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days
: On Backorder

Will Deliver When Available
: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

This text offers a comprehensive and tightly focused account of the emergence and flourishing of British modern-life paintings at midcentury.

Contemporary subjects were new and risky in the late 1840s and early 1850s; immensely popular and much debated by 1858; and already falling out of fashion by the mid-1860s. The book follows this story chronologically, moving from the anxious attempts by young artists such as William Powell Frith and William Holman Hunt to capture modern life in a visual language that conveyed both the literal and emotional truths of contemporary experience, through the new genre’s explosion into popularity in the later 1850s and early 1860s, and the critical debates (and changing fashions) that led to its diminishment by the end of that decade.

The book will be of interest to scholars working in art history, British studies, visual culture, exhibition culture, museum studies, and the sociology of art.

Pamela Fletcher is Professor of Art History at Bowdoin College, U.S.A.