Visual Culture of al-Andalus in the Christian Kingdoms of Iberia

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al-Andalus
Almoravid
Andalusi
Arabic
architecture
art history
Asturias
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B01=Inés Monteira
Beatus
buildings
Castile
Category1=Non-Fiction
Category=AC
Category=AGA
Category=HRAX
Category=HRH
Category=JPA
Category=QRAX
Category=QRP
Christian
Christianity
churches
conflict
COP=United Kingdom
Cordoba
cross-cultural artistic transfer
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empire
eq_art-fashion-photography
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eq_non-fiction
eq_society-politics
exchange
Iberia
Iberian Peninsula
iconographic analysis
interaction
intercultural
Islam
Islamic-Christian artistic interaction
ivory
king
Language_English
Leon
manuscript illumination research
material culture exchange
medieval
medieval Iberian visuality
Middle Ages
military
mosque
Muslim
objects
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painting
palace
politics
Price_€100 and above
PS=Forthcoming
relic
religion
religious coexistence studies
reliquary
Romanesque
sculpture
softlaunch
spolia
textiles
Toledo
trade
visual art

Product details

  • ISBN 9781032783338
  • Weight: 620g
  • Dimensions: 174 x 246mm
  • Publication Date: 11 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This book addresses the reception of Islamic visual culture by the northern Iberian kingdoms, by systematically comparing works of art from both sides and fleshing out their historical context.

This study includes figurative and iconographic motifs, architectural forms, and even the spolia from constructions and Arabic inscriptions that were embedded in Christian buildings. The Islamic visual culture of al-Andalus was often transformed as it was recreated by Christian hands, bringing to the fore various nuances in the relationship between the two religious communities. Artistic transfer was conditioned by social coexistence between Christians and Muslims—both in the caliphate al-Andalus and in the northern realms—and military conflict. To approach the different ways in which Andalusi visual culture was received in the northern kingdoms, while embracing the vast diversity of case studies available, this book is divided into three thematic sections: Reinterpretation, Appropriation, and Artistic Transfers.

This book will be of interest to scholars working in art history, visual culture, and medieval studies.

Chapter 3 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a CC-BY-NC-ND 4.0 license.

Inés Monteira is Professor in the History of Art Department at Universidad Nacional de Educación a Distancia, UNED, Madrid.