Wound and the Stitch

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A01=Loretta Victoria Ramirez
Age Group_Uncategorized
Age Group_Uncategorized
Amalia Mesa Bains
Art History
Author_Loretta Victoria Ramirez
automatic-update
California
Category1=Non-Fiction
Category=JBSF1
Category=JBSL1
Category=JFSJ1
Category=JFSL1
Category=JFSL4
Cherríe Moraga
Chicana rhetoric
Chicanx self-representation
COP=United States
Decolonial
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Gender Studies
Guillermo Gómez-Peña
Language_English
late twentieth-century print media and art
late-medieval Iberian devotional scultpures
Latino Studies
PA=Available
Price_€50 to €100
PS=Active
Renee Tajima-Peña
softlaunch
stitching wounds
Trauma theory
violence against Chicanx bodies
woundeness

Product details

  • ISBN 9780271097275
  • Weight: 540g
  • Dimensions: 152 x 229mm
  • Publication Date: 28 May 2024
  • Publisher: Pennsylvania State University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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The Wound and the Stitch traces a history of imagery and language centered on the concept of woundedness and the stitching together of fragmented selves. Focusing particularly on California and its historical violences against Chicanx bodies, Loretta Victoria Ramirez argues that woundedness has become a ubiquitous and significant form of Chicanx self-representation, especially in late twentieth-century print media and art.

Ramirez maps a genealogy of the female body from late medieval Iberian devotional sculptures to contemporary strategies of self-representation. By doing so, she shows how wounds—metaphorical, physical, historical, and linguistic—are inherited and manifested as ongoing violations of the body and othered forms of identity. Beyond simply exposing these wounds, however, Ramirez also shows us how they can be healed—or rather stitched. Drawing on Mesoamerican concepts of securing stability during lived turmoil, or nepantla, Ramirez investigates how creators such as Cherríe Moraga, Renee Tajima-Peña, Guillermo Gómez-Peña, and Amalia Mesa-Bains repurpose the concept of woundedness to advocate for redress and offer delicate, ephemeral moments of healing.

Positioning woundedness as a potent method to express Chicanx realities and transform the self from one that is wounded to one that is stitched, this book emphasizes the necessity of acknowledgment and ethical restitution for colonial legacies. It will be valued by scholars and students interested in the history of rhetorics, twentieth-century Chicanx art, and Latinx studies.

Loretta Victoria Ramirez is Assistant Professor of Latinx Rhetoric and Composition at California State University, Long Beach.

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