The Young and Evil: Queer Modernism in New York 19301955
English
By (author): Ann Reynolds Jarrett Earnest Kenneth Silver Michael Schreiber
Lauded by Jerry Saltz as one of the most reactionary yet radical visions of art, The Young and Evil tells the story of a group of artists and writers active during the first half of the twentieth century, when homosexuality was as problematic for American culture as figuration was for modernist painting.
These artistsincluding Paul Cadmus, Fidelma Cadmus Kirstein, Charles Henri Ford, Jared French, Margaret Hoening French, George Platt Lynes, Bernard Perlin, Pavel Tchelitchew, George Tooker, Alexander Jensen Yow, and their circlewere new social creatures, playfully and boldly homosexual at a time when it was both criminalized and pathologized. They pursued a modernism of the bodydriven by eroticism and bounded by intimacy, forming a hothouse world within a world that doesnt nicely fit any subsequent narrative of modern American art. In their work, they looked away from abstraction toward older sources and modelsclassical and archaic forms of figuration and Renaissance techniques. What might be seen as a reactionary aesthetic maneuver was made in the service of radical contentendeavoring to depict their own lives. Their little-known history is presented here through never-before-exhibited photographs, sculptures, drawings, ephemera, and rarely seen major paintingsoffering the first view of its kind into their interwoven intellectual, artistic, and personal lives.
Edited by Jarrett Earnest, who also curated the exhibition, The Young and Evil features new scholarship by art historians Ann Reynolds and Kenneth E. Silver and an interview with Alexander Jensen Yow by Michael Schreiber. See more
These artistsincluding Paul Cadmus, Fidelma Cadmus Kirstein, Charles Henri Ford, Jared French, Margaret Hoening French, George Platt Lynes, Bernard Perlin, Pavel Tchelitchew, George Tooker, Alexander Jensen Yow, and their circlewere new social creatures, playfully and boldly homosexual at a time when it was both criminalized and pathologized. They pursued a modernism of the bodydriven by eroticism and bounded by intimacy, forming a hothouse world within a world that doesnt nicely fit any subsequent narrative of modern American art. In their work, they looked away from abstraction toward older sources and modelsclassical and archaic forms of figuration and Renaissance techniques. What might be seen as a reactionary aesthetic maneuver was made in the service of radical contentendeavoring to depict their own lives. Their little-known history is presented here through never-before-exhibited photographs, sculptures, drawings, ephemera, and rarely seen major paintingsoffering the first view of its kind into their interwoven intellectual, artistic, and personal lives.
Edited by Jarrett Earnest, who also curated the exhibition, The Young and Evil features new scholarship by art historians Ann Reynolds and Kenneth E. Silver and an interview with Alexander Jensen Yow by Michael Schreiber. See more
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