Theaterbauwissen

As public building projects, theaters are venues that expose ideological conflicts, social issues, and the way society chooses to present itself. This volume is the first to examine twentieth-century theater design as a primary source, and asks how our knowledge about theater construction and stage equipment is produced, disseminated, and shaped. The authors approach the topic with the aid of various objects and concepts, ranging from architectural training and cultural heritage to architecture photography. The volume also presents archival material on renowned theatersincluding the Schauspielhaus Bochum, the Burgtheater in Vienna, and the recently demolished Komödie am Kurfürstendamm in Berlin from the unique collection of the Museum of Architecture at TU Berlin.

• Considers twentieth-century theater design as a source of knowledge and information
• Offers an interdisciplinary approach to theater construction and stage technology
• The first volume to collate archival material from the worlds most comprehensive collection on theater architecture at the Museum of Architecture at TU Berlin

Jan Lazardzig is Professor of Theater Studies at the Freie Universität Berlin. His research areas are the historiography and technological history of theater, theater and censorship, and historiographical methods.

Bri Newesely is Professor of Scenography and Theater Design at the Berliner Hochschule für Technik. She is a member of the International Observatory of Scenic Spaces (ETSA Barcelona). Her research focuses on the history of stage technology and theater modifications.

Kerstin Wittman-Englert is Professor of Architectural History at Technische Universität Berlin. She is a member of ICOMOS and of the advisory board of the Wüstenrot Stiftung. Her research areas are church construction in the medieval and modern period, the visual language of architecture, and the ongoing reuse and adaptation of existing buildings.