Theatre After Empire

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African Personality
anti-imperialism
apartheid
Asian American Actors
Asian American Theatre
Baby Stroller
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Category=ATD
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Chickencoop Chinaman
colonial
Colonial Administration
Concert Party
cultural transition
Czechoslovakia
decolonization
Diva Worship
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Francis Imbuga
Geek Theatre
George III
global political change
Grotesco Criollo
Hanay Geiogamah
Hapsburg
identity formation theatre
John Ruganda
Kim Family
Komedie Stamboel
La Cage Aux Folles
Meena Kumari
National Theatre Movement
nationalism
Oh Taesuk
OSF
Ottoman
performance studies
post-revolutionary performance analysis
postcolonial
Quare Fellow
Rotimi
Spoken Drama
subaltern narratives
Sultan Selim III
tanguedia
Turkish Theatre
Van Graan

Product details

  • ISBN 9781138368941
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 May 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Emphasizing the resilience of theatre arts in the midst of significant political change, Theatre After Empire spotlights the emergence of new performance styles in the wake of collapsed political systems.

Centering on theatrical works from the late nineteenth century to the present, twelve original essays written by prominent theatre scholars showcase the development of new work after social revolutions, independence campaigns, the overthrow of monarchies, and world wars. Global in scope, this book features performances occurring across Africa, the Americas, Asia, Europe, and the Middle East. The essays attend to a range of live events—theatre, dance, and performance art—that stage subaltern experiences and reveal societies in the midst of cultural, political, and geographic transition.

This collection is an engaging resource for students and scholars of theatre and performance; world history; and those interested in postcolonialism, multiculturalism, and transnationalism.

The Introduction ("Framing Latine Theatre and Performance") of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

Megan E. Geigner is an assistant professor of instruction in the Cook Family Writing Program at Northwestern University. She researches the performance of racial, ethnic, and national identity. She is co-editor of Makeshift Chicago Stages: A Century of Theater and Performance.

Harvey Young is Dean of the College of Fine Arts at Boston University. His books include Embodying Black Experience and Performance in the Borderlands.