Theatre and the World

Regular price €50.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Rustom Bharucha
Apocalypsis Cum Figuris
Artaud's Writings
Artaud’s Writings
Author_Rustom Bharucha
Balinese Theatre
Bharat Natyam
Bombay Productions
Brook's Production
Brook’s Production
Category=AFKP
Category=ATD
Category=JBCC
concert
contemporary
Contemporary Indian Theatre
critical perspectives on intercultural theatre
cultural appropriation debate
dramaturgical analysis methods
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Eurasian Theatre
Extra-daily Behaviour
franz
global theatre politics
india
indian
Indian Theatre
intercultural performance studies
IPTA
Junior Artist
kroetz
non-western performance theory
Odin Teatret
Odin's Actors
Odin’s Actors
Omnipresent
Para-theatrical Work
Paratheatrical Work
Peter Brook's Mahabharata
Peter Brook’s Mahabharata
postcolonial theatre critique
request
Request Concert
richard
Sangeet Natak Akademi
Sanjukta Panigrahi
Things Fall
today
Violate
West Germany
xaver
Yale Seminar

Product details

  • ISBN 9780415092166
  • Weight: 500g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Jun 1993
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

In this passionate and controversial work, director and critic Rustom Bharucha presents the first major critique of intercultural theatre from a 'Third World' perspective.
Bharucha questions the assumptions underlying the theatrical visions of some of the twentieth century's most prominent theatre practitioners and theorists, including Antonin Artaud, Jerzsy Grotowski, and Peter Brook. He contends that Indian theatre has been grossly mythologised and taken out of context by Western directors and critics. And he presents a detailed dramaturgical analysis of what he describes as an intracultural theatre project, providing an alternative vision of the possibilities of true cultural pluralism.
Theatre and the World bravely challenges much of today's 'multicultural' theatre movement. It will be vital reading for anyone interested in the creation or discussion of a truly non-Eurocentric world theatre.

More from this author