Theatre, Body and Pleasure

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Simon Shepherd
Acrobat
armin
Author_Simon Shepherd
Bodily Appropriateness
Britannia Saloon
Category=ATD
Cathedral Precinct
character
Disengaged
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
feldenkrais
fidget
Follow
garner
Individual Excitability
Kinaesthetic Perception
lady
Lady Audley
Lady Audley's Secret
Lady Fidget
Launce's Dog
Launce’s Dog
Monsieur De Paris
moshe
Paso Doble
Persona
Peter Holland
robert
Robert Armin
Scenic Space
Sir Jaspar
Solo Speech
stanton
tempo
Tendons
Vice Versa
Vp
Wo

Product details

  • ISBN 9780415253741
  • Weight: 361g
  • Dimensions: 138 x 216mm
  • Publication Date: 17 Nov 2005
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Breaking new ground in the study of performance theory, this maverick and powerful project from renowned Renaissance scholar and queer theorist Simon Shepherd presents a unique take on theory and the physical reality of theatre.

Examining a range of material, Theatre, Body, Pleasure addresses a significant gap in the literary and drama studies arenas and explores the interplay of bodily value, the art of bodies and the physical responses to that art. It explains first how the body makes meaning and carries value. Then it describes the relationships between time and space and body.

The book’s features include:

* large historical range, from medieval to postmodern
* case studies offering close readings of written texts
* examples of how to ‘read for the body’, exploring written text as a ‘discipline’ of the body
* breadth of cultural reference, from stage plays through to dance culture
* a range of theoretical approaches, including dance analysis and phenomenology

Writing in accessible prose, Shepherd introduces new ways of analyzing dramatic text and has produced a book which is part theatre history, part dramatic criticism and part theatrical tour de force. Students of drama, theatre and performance studies and cultural studies will find this an absolute must read.

Simon Shepherd is Director of Programmes at Central School of Speech and Drama, London. His research explores the relationships between cultural and performance theory and theatre history. Recent publications include essays on Joe Orton and modern British drama and politics, and, with Mick Wallis, Drama/Theatre/Performance.

More from this author