Theatre of Richard Maxwell and the New York City Players

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A01=Sarah Gorman
acting techniques in contemporary performance
approach
Author_Sarah Gorman
bonnie
Category=AFKP
Category=ATC
Category=ATD
contemporary theater analysis
Cook County
critical theatre scholarship
ctional
Draw Back
Early Company Members
Elevator Repair Service
Emotional Disclosure
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experimental drama
Goat Island
group
Kitty Corner
marranca
Maxwell's Approach
Maxwell's Performances
Maxwell's Work
maxwells
Maxwell’s Approach
Maxwell’s Performances
Maxwell’s Work
Passionate Indifference
performance studies
Postdramatic Theatre
Rehab Clinic
rehearsal methodologies
representation of gender
Richard Foreman
Rimini Protokoll
Scenic Place
Shepard's Work
Shepard’s Work
Sock Monkeys
Standing Man
Steppenwolf Theatre Company
Untrained Actors
Vanden Heuvel
wooster
Wooster Group
work
world
York City Players
Young Man

Product details

  • ISBN 9781138378087
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 23 Aug 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The theatre of Richard Maxwell and the New York City Players has received significant international recognition over the past ten years. The company has received three OBIEs, for House (1999), Drummer Wanted (2002) and Good Samaritans (2005). Maxwell received a Guggenheim Fellowship in 2010 and has been commissioned by venues in the United States, the United Kingdom, Germany, Austria, the Netherlands, France, Belgium and Ireland. Although his productions generate a plethora of reviews, there is a deficit of material providing a critical and sustained engagement with his work. The aim of this book is to provide a critical survey of Maxwell’s work since 1992, including his early participation in Cook County Theater Department.

Touching upon the acting, production and rehearsal processes of NYC Player’s work, and Maxwell's representations of space, community, race, and gender, this volume provides scholars with an important overview of a key figure in contemporary drama.

Sarah Gorman is Principal Lecturer in Drama, Theatre & Performance Studies at Roehampton University, London. Her research focuses on contemporary European and North American experimental theatre. She has recently contributed to Making Contemporary Theatre: International Rehearsal Processes and A Concise Companion to British and Irish Drama.

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