Theatre of the Bauhaus

Regular price €186.00
A01=Melissa Trimingham
Author_Melissa Trimingham
avant-garde performance art
ballet
barbican
Bauhaus Band
Bauhaus Dances
Bauhaus Stage
Bauhaus stage experimentation
Category=AFKP
Category=ATD
centre
Clock Time
Dessau Bauhaus
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
gestalt
Gestalt Thinking
Goat Island
Gradual Stripping
Leading Edge
Lux Feininger
Merleau Ponty 1974b
MerleauPonty 1974a
Oscillo Scope
oskar
performance theory
postmodern
Postmodern Stage
Raffaello Sanzio
Rst Century
schlemmer
Schlemmer's Work
Schlemmer’s Work
spatial aesthetics
stage
stage design innovation
Temporal Gestalt
thinking
triadic
Triadic Ballet
Van Doesburg
visual dramaturgy
War Time
Weimar Bauhaus
Weimar culture studies
Young Man

Product details

  • ISBN 9780415403986
  • Weight: 420g
  • Dimensions: 152 x 229mm
  • Publication Date: 02 Nov 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Focusing on the work of painter, choreographer and scenic designer Oskar Schlemmer, the "Master Magician" and leader of the Theatre Workshop, this book explains this "theatre of high modernism" and its historical role in design and performance studies; further, it connects the Bauhaus exploration of space with contemporary stages and contemporary ethics, aesthetics and society. The idea of "theatre of space" is used to highlight twentieth-century practitioners who privilege the visual, aural, and plastic qualities of the stage above character, narrative and, themes (for example Schlemmer himself, Robert Wilson, Tadeusz Kantor, Robert Lepage). This impressive volume will be of use to students and academics involved in the areas of twentieth-century performance, the history of performance art, the history of avant-garde theatre, modern German theatre, and Weimar-era performance.

Melissa Trimingham is Senior Lecturer in Drama at Kent University, UK. She has worked extensively in UK community theatre and was a founding member of Horse and Bamboo Theatre, Lancashire. She has published on the Bauhaus Theatre in Theatre Research International and Performance Research, on the methodology of practice as research, and on puppetry with autistic children.