Theatre on Trial

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A01=Anna McMullan
Audience Stage Relationship
Author_Anna McMullan
authority in drama
Beckett's Late
Beckett's Plays
Beckett's theatre
Beckett's Work
Beckett’s Late
Beckett’s Plays
Beckett’s theatre
Beckett’s Work
Category=DNB
Category=DSBH
Category=DSK
contemporary theatre analysis
critical theory
Da Game
Dear Face
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Existentialism
Faint Light
FLO
gender representation
Ghost Trio
Human Suffering
ideology of performance practice
Irish playwrights
James Knowlson
metatheatre
Metatheatrical tradition
Modernist plays
Modernist theatre
Ohio Impromptu
performance studies
Performance theory
Peter Gidal
Phallogocentric Language
Protagonist's Birth
Protagonist's Parents
Protagonist’s Birth
Protagonist’s Parents
Radio II
Rip Word
Spotlit Image
Stage Image
Stage Space
Theatre staging
Unified Image
Vice Versa
Voice's Monologue
Voice’s Monologue
Young Man

Product details

  • ISBN 9780367747589
  • Weight: 820g
  • Dimensions: 156 x 234mm
  • Publication Date: 15 Nov 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book, first published in 1993, is the first full-length analysis of Samuel Beckett’s later drama in the context of contemporary critical and performance theory. It employs a close, textual examination of the later plays as a springboard for exploring ideas around authority, gender and the ideology of performance. Recent work in the world of critical theory has suggested new ways of looking at performance practice. McMullan argues that, while contemporary theory can deepen our understanding of Beckett’s dramatic practice, his drama places performance in the context of a metaphysical history and a metatheatrical tradition, thereby confronting and provoking some of the central debates in performance studies’ engagement with critical theory.

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