Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre

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A01=Erika Fischer-Lichte
ancient
Ancient Greek Theatre
Author_Erika Fischer-Lichte
Autopoietic Feedback Loop
Baader Meinhof Gang
Bodily Co-presence
Cambridge Ritualists
Category=AFKP
Category=ATD
collective identity formation
community
cultural anthropology
Energetic Bodies
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Gertrud Eysoldt
greek
liminal
Liminal Time
mass
Mass Spectacles
Oedipus Rex
Orgy Mystery Theatre
performance studies
performative
Performative Level
Performative Turn
Phenomenal Body
political symbolism
Quasi-religious Feelings
Reborn
Reinhardt's Theatre
Reinhardt’s Theatre
ritual theory
Sacrificial Meal
self-organized
Self-organized Community
Semiotic Body
social cohesion analysis
spectacle
Thing Site
time
Tragic Theatre
turn
twentieth century mass performance analysis
Violate
Volk Community
Young Man

Product details

  • ISBN 9780415276757
  • Weight: 476g
  • Dimensions: 138 x 216mm
  • Publication Date: 24 Mar 2005
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In this fascinating volume, acclaimed theatre historian Erika Fischer-Lichte reflects on the role and meaning accorded to the theme of sacrifice in Western cultures as mirrored in particular fusions of theatre and ritual. Theatre, Sacrifice, Ritual presents a radical re-definition of ritual theatre through analysis of performances as diverse as:

  • Max Reinhardt's new people's theatre
  • the mass spectacles of post-revolutionary Russia
  • American Zionist pageants
  • the Olympic Games.

In offering both a performative and a semiotic analysis of such performances, Fischer-Lichte expertly demonstrates how theatre and ritual are fused in order to tackle the problem of community-building in societies characterised by loss of solidarity and disintegration, and exposes the provocative connection between the utopian visions of community they suggest, and the notion of sacrifice.

This innovative study of twentieth-century performative culture boldly examines the complexities of political theatre, propaganda and manipulation of the masses, and offers a revolutionary approach to the study of theatre and performance history.

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