Theatre Studios

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A01=Tom Cornford
Alec Guinness
anti-individualist aesthetics
Author_Tom Cornford
Avis Bunnage
Beatrice Straight
Category=AFKP
Category=ATD
Category=ATDC
Category=ATDF
Chekhov's Technique
Chekhov’s Technique
collective performance practice
Compagnie Des Quinze
Counterhegemonic project
Cts
cultural production theory
Democratic approaches
English Stage Company
Ensemble Theatre Making
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Les Copiaus
Les Quinze
London Theatre Studio
Lovely War
LTS.
Michael Chekhov
Moscow Art Theatre
OVC
political theatre history
radical democratic performance
rehearsal methodologies
Richard III
Rupert Doone
Standpoint Feminism
Studio model
Theatre Studios
Theatre Workshop
Theatre Workshop's Productions
Theatre Workshop’s Productions
Theatre-making
twentieth-century British theatre studios
Vic School
Young Men
Young Vic

Product details

  • ISBN 9781138185647
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Theatre Studios explores the history of the studio model in England, first established by Konstantin Stanislavsky, Jacques Copeau and others in the early twentieth century, and later developed in the UK primarily by Michel Saint-Denis, George Devine, Michael Chekhov and Joan Littlewood, whose studios are the focus of this study.

Cornford offers in-depth accounts of the radical, collective work of these leading theatre companies of the mid-twentieth century, considering the models of ensemble theatre-making that they developed and their remnants in the newly publicly-funded UK theatre establishment of the 1960s. In the process, this book develops an approach to understanding the politics of artistic practices rooted in the work of John Dewey, Antonio Gramsci and the standpoint feminists. It concludes by considering the legacy of the studio movement for twenty-first-century theatre, partly by tracking its echoes in the work of Secret Theatre at the Lyric, Hammersmith (2013–2015).

Students and makers of theatre alike will find in this book a provocative and illuminating analysis of the politics of performance-making and a history of the theatre as a site for developing counterhegemonic, radically democratic, anti-individualist forms of cultural production.

Tom Cornford is Senior Lecturer in Theatre and Performance at The Royal Central School of Speech and Drama, University of London.

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