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Theatre Symposium, Volume 24
Theatre Symposium, Volume 24
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€33.99
Regular price
€38.99
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A32=Alicia Corts
A32=Andrew Gibb
A32=Arnab Banerji
A32=Chase Bringardner
A32=Christine Woodworth
A32=Lisa Marie Bowler
A32=Marvin Carlson
A32=Samuel T. Shanks
A32=Sebastian Trainor
Age Group_Uncategorized
Age Group_Uncategorized
Audience and spatial dynamics
automatic-update
B01=Becky K. Becker
Becky K. Becker
Category1=Non-Fiction
Category=DNT
Category=DQ
COP=United States
Cultural space
Delivery_Delivery within 10-20 working days
drama
Dramaturgy and space
Environmental theatre
eq_anthologies-novellas-short-stories
eq_bestseller
eq_biography-true-stories
eq_fiction
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
history of theatre
Interdisciplinary theatre studies
Language_English
literary history
PA=To order
Performance and place
Performance environments
plays
politics of space
Price_€20 to €50
PS=Active
Site-specific performance
softlaunch
Southeastern Theatre Conference
space
Spatial theory in theatre
Stage architecture
theater
theatre
Theatre and public space
theatre and space
Theatre and spatial politics
Theatre and urban design
Theatre geography
theatre history
Theatre Studies
Theatre Symposium Series
Theatre venues
theatrical
theatrical space
Product details
- ISBN 9780817370114
- Weight: 245g
- Dimensions: 152 x 229mm
- Publication Date: 19 Jul 2016
- Publisher: The University of Alabama Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English
At a time when so many options exist for access to theatrical entertainments, it is no surprise that theatre practitioners and scholars are often preoccupied with the role of the audience. While space undoubtedly impacts the rehearsal and production processes, its greater significance seems to rest in the impact a specific location has on the audience. This volume delves into issues of theatre and space, traversing traditional theatre spaces such as the African Grove Theater discussed by Gregory Carr, Tony Gunn’s examination of Edward Gorey's theatrical designs, and George Pate’s reflections on Beckett's stage directors. Also highlighted are some decidedly innovative spaces, like those described by J. K. Curry in her examination of “Theatre for One” and modern uses of medieval sacred spaces as detailed by Carla Lahey.
Whether positive or negative in scope, meanings generated within theatre spaces are impacted by the cultural context from which they emerge—the ways in which space is conceived, scrutinized, and experiences. As a result, the relationship between space, theatre, and audience is diverse, complex, and ever changing in practice.
Whether positive or negative in scope, meanings generated within theatre spaces are impacted by the cultural context from which they emerge—the ways in which space is conceived, scrutinized, and experiences. As a result, the relationship between space, theatre, and audience is diverse, complex, and ever changing in practice.
Becky K. Becker is a professor of theatre at Columbus State University in Columbus, Gerogia, and the coordinator for the international studies certificate. Her published work has been featured in Feminist Teacher, Theatre Symposium, and Shakespeare Beyond English.
Theatre Symposium, Volume 24
€33.99
