A01=Lynn Matluck Brooks
American Ballet
antebellum period
Author_Lynn Matluck Brooks
ballet
ballroom dance
blackface performance
body expressivity
body history
Category=ATQ
Category=NHK
Category=WQH
Dance
Dance Studies
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
History of Dance
minstrelsy
Performance History
Philadelphia
Philadelphia History
race science
social dance
Product details
- ISBN 9781439923047
- Weight: 513g
- Dimensions: 152 x 229mm
- Publication Date: 18 Jul 2025
- Publisher: Temple University Press,U.S.
- Publication City/Country: US
- Product Form: Paperback
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Theatres of the Body is Lynn Matluck Brooks’ critical examination of danced stage productions in antebellum Philadelphia. Starting in the 1820s, Brooks explores visual art and social and theatrical dancing across different classes, focusing on the work of E. W. Clay. Continuing through the 1830s, she looks at pantomime ballets and blackface minstrelsy through a political lens, asking questions regarding citizenship, slavery, and freedom. At the time, the city boasted the largest number of native-born ballet dancers in the young nation. Philadelphia also became a creative home to blackface star T. D. Rice, who helped popularize that performance genre.
Reviewing print culture in the 1840s, Brooks shows how newspapers, magazines, and popular fiction provided documentation of dancing in Philadelphia as well as the responses of dance commentators, practitioners, and moralists. Theatres of the Body also considers the interplay of science with dance in the 1850s, which impacted both dance practices and reception.
Providing an expansive historiography of these significant contributions to dance in the United States, Brooks deepens our understanding of antebellum culture and history.
Reviewing print culture in the 1840s, Brooks shows how newspapers, magazines, and popular fiction provided documentation of dancing in Philadelphia as well as the responses of dance commentators, practitioners, and moralists. Theatres of the Body also considers the interplay of science with dance in the 1850s, which impacted both dance practices and reception.
Providing an expansive historiography of these significant contributions to dance in the United States, Brooks deepens our understanding of antebellum culture and history.
Lynn Matluck Brooks is Arthur and Katherine Shadek Professor of Humanities, Emerita, at Franklin & Marshall College. She is the author of John Durang: Man of the American Stage, The Art of Dancing in Seventeenth-Century Spain: Juan de Esquivel Navarro and His World, and The Dances of the Processions of Seville in Spain's Golden Age and the editor of Women’s Work: Making Dance in Europe before 1800. She was also editor of Dance Research Journal, Dance Chronicle, and thINKingDANCE.org.
