Theatrocracy

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A01=Peter Meineck
affective sciences
Age Group_Uncategorized
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anagnorisis
ancient performance studies
Anterior Insular Cortex
Aquila Theatre
Athenian drama
Athenian theatre
Attic Red Figure Krater
Author_Peter Meineck
automatic-update
Brain's Default Mode Network
Brain’s Default Mode Network
Category1=Non-Fiction
Category=AFKP
Category=AN
Category=ATD
Category=GTK
Category=GTR
Category=HBLA1
Category=NHC
catharsis
citizen discourse theory
City Dionysia
classics and cognition
classics and cognitive theory
Cognitive Absorption
cognitive archaeology
cognitive classics
cognitive science of Greek tragedy
cognitive theory
comic mask
COP=United Kingdom
Delivery_Delivery within 10-20 working days
Dionysos Eleuthereus
dramatic mask
embodied cognition theatre
empathy in drama
eq_art-fashion-photography
eq_bestseller
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eq_nobargain
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Evaluative Conditioning
Extrapersonal Space
fMRI
Fusiform Face Area
Generative Predictive Model
Greek drama
Greek Mask
Greek theatre
Greek tragedy
harmatia
Human Mirror Neuron System
Kinesthetic Empathy
Language_English
Left Posterior Superior Temporal Sulcus
Markov Blanket
Mimesis
Mirror Neuron System
mirroring
Musical Expectancy
Noh Mask
PA=Available
Peripersonal Space
peripeteia
Pre-motor Areas
Prediction Error Correction
Predictive Processing
Price_€100 and above
Pronomos Vase
PS=Active
satyr mask
softlaunch
Theatre and cognition
Theatre and cognitive neuroscience
tragic mask
Young Men

Product details

  • ISBN 9781138205529
  • Weight: 504g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Theatrocracy is a book about the power of the theatre, how it can affect the people who experience it, and the societies within which it is embedded. It takes as its model the earliest theatrical form we possess complete plays from, the classical Greek theatre of the fifth century BCE, and offers a new approach to understanding how ancient drama operated in performance and became such an influential social, cultural, and political force, inspiring and being influenced by revolutionary developments in political engagement and citizen discourse. Key performative elements of Greek theatre are analyzed from the perspective of the cognitive sciences as embodied, live, enacted events, with new approaches to narrative, space, masks, movement, music, words, emotions, and empathy. This groundbreaking study combines research from the fields of the affective sciences – the study of human emotions – including cognitive theory, neuroscience, psychology, artificial intelligence, psychiatry, and cognitive archaeology, with classical, theatre, and performance studies.

This book revisits what Plato found so unsettling about drama – its ability to produce a theatrocracy, a "government" of spectators – and argues that this was not a negative but an essential element of Athenian theatre. It shows that Athenian drama provided a place of alterity where audiences were exposed to different viewpoints and radical perspectives. This perspective was, and is, vital in a freethinking democratic society where people are expected to vote on matters of state. In order to achieve this goal, the theatre offered a dissociative and absorbing experience that enhanced emotionality, deepened understanding, and promoted empathy. There was, and still is, an urgent imperative for theatre.

Peter Meineck is Professor of Classics in the Modern World at New York University, USA. He founded Aquila Theatre in 1991 and has since produced and directed more than 50 professional classical theatre works. He has also directed several National Endowment for the Humanities classics-based public programs, including the Chairman’s Special Award-winning Ancient Greeks/Modern Lives and The Warrior Chorus national veteran’s program. He has written widely on ancient theatre and its reception, and has published several translations of Greek drama.

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