Their Fair Share

Regular price €107.99
Quantity:
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Marysa Demoor
Alice Zimmern
archival research Athenaeum journal
Athenaeum Reviews
Author's Gender
Author_Marysa Demoor
blind
Category=DSBF
Category=JBSF11
Charles Dilke
Critical Double Standard
cultural production networks
Emilia Dilke
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist literary history
file
Frances Low
gender and modernism
George Paston
geraldine
Geraldine Jewsbury
helen
Helen Zimmern
jewsbury
Kate Field
Lady Dilke
marked
Marked File
mathilde
Mathilde Blind
Miss Brown
Mrs Humphry Ward
National Biography
periodical studies
Professional Women Writers
reviewers
Sal Volatile
Sir Charles Dilke
Terza Rima
Victorian literary criticism
women
Women Contributors
women critics nineteenth century
Women Journalists
Women Reviewers
Young Men
zimmern

Product details

  • ISBN 9780754601180
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 May 2000
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Their Fair Share identifies and contextualises many previously unknown critical writings by a selection of well-known turn-of-the-century women. It reveals the networks behind an influential journal like the Athenaeum and presents a more shaded assessment of its position in the field of cultural production, in the period 1870-1920. The Athenaeum (1828-1921) has often been presented as a monolithic institution offering its readers a fairly conservative, male oriented appreciation of a wide variety of contemporary publications. On the basis of archival and biographical material this book presents an entirely new analysis of the reviewing policy of this weekly from 1870, when it came into the hands of the politician Sir Charles Wentworth Dilke, up to and including 1919-1920 when John Middleton Murry became its editor. Dilke, and his editor Norman MacColl, are here revealed to have been committed feminists who enlisted some of the most influential women of their time as critics for their journal. The book looks more specifically at the contributions by, a.o., Millicent Garrett Fawcett, Emilia Dilke, Jane Harrison and Augusta Webster.

Marysa Demoor, is a senior full professor of English literature and Culture at Ghent University.

More from this author