Theodore Gericault, Painting Black Bodies

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A01=Albert Alhadeff
abolition
abolitionist art
African American history
African American studies
Anne Louis Girodet
Author_Albert Alhadeff
Beaux Arts De Paris
blackness
Blacks Bear
Category=AGA
Category=AGB
Category=AGHF
Chateaubriand
chattel
Claire De Duras
Des Beaux Arts
Duke's Death
Duke’s Death
eighteenth century
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Europe
Fallen Black
France
French Romanticism
Gazette Des Beaux Arts
Gericault's black men images
Girodet
Haiti
Hand Colored Etching
Harvard Art Museum
La Minerve
Le Blanc
Le Noir
Liminal Beings
Louvre
Moors
nineteenth century
nineteenth-century art history
nude
painter Theodore Gericault's
painting
portraits
prurient bonds
race
race representation
racism
Raft of the Medusa
Rescue Vessel
RMN Grand Palais
Romanticism
Saint Domingue
Simonde De Sismondi
slave ships
slave trade
slavery
slavery depiction in European painting
Terra Cotta
the body
Toussaint de Louverture
Toussaint Louverture
trans-Atlantic passage
trans-Atlantic Slave Trade
transatlantic slavery
Turbaned Counterpart
Vicomte De Chateaubriand
visual culture studies
watercolor
Waterloo
Young Man

Product details

  • ISBN 9781032400204
  • Weight: 412g
  • Dimensions: 174 x 246mm
  • Publication Date: 29 Aug 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book examines Théodore Géricault’s images of black men, women and children who suffered slavery’s trans-Atlantic passage in the late eighteenth and early nineteenth centuries, including his 1819 painting The Raft of the Medusa.

The book focuses on Géricault’s depiction of black people, his approach towards slavery, and the voices that advanced or denigrated them. By turning to documents, essays and critiques, both before and after Waterloo (1815), and, most importantly, Géricault’s own oeuvre, this study explores the fetters of slavery that Gericault challenged—alongside a growing number of abolitionists—overtly or covertly.

This book will be of interest to scholars in art history, race and ethnic studies and students of modernism.

Albert Alhadeff is Associate Professor of the History of Art at the University of Colorado Boulder.

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