Theological Anthropology in Mozart’s La clemenza di Tito

Regular price €51.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Steffen Losel
Author_Steffen Losel
biblical character analysis
Bohemian Estates
Breviarium Romanum
Category=AVLA
Category=AVLF
Category=AVN
Category=AVP
Category=QRA
Category=QRMB1
Catholic Audience
Catholic Enlightenment
Catholic interpretations of opera seria
Catholic political theology
Catholic Prelate
concupiscence studies
Coronation Festivities
Della
Eighteenth Century Audience
eighteenth-century Prague
Enlightened Catholic
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Hereditary Habsburg Lands
Hugo Grotius
Joseph II
Liberum Arbitrium
Libido Dominandi
Metastasio's Libretto
Metastasio’s Libretto
Moral Conversion
Mozart
Mozart's Letters
Mozart's Operas
Mozart’s Letters
Mozart’s Operas
opera and religion
Opera Seria
Opera's Ending
Opera’s Ending
Pietro
Repentant Sinner
Samuel Von Pufendorf
theology and the arts
Wolfgang Amadeus Mozart

Product details

  • ISBN 9781032199160
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Jan 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

This book asks what theological messages theologically educated Catholics in late-eighteenth-century Prague might have perceived in Mozart’s late opera seria La clemenza di Tito. The book’s thesis is two-fold: first, that Catholics might have heard the opera’s advocacy of enlightened absolutism as a celebration of a distinctly Catholic understanding of political governance; and second, that they might have found in the opera a metaphor for the relationship between a gracious God and humanity caught up in sin, expressed as sexual concupiscence, pride, and lust for power. The book develops its interpretation of the opera through narrative character analyses of the main protagonists, an examination of their dramatic development, and by paying attention to the biblical and theological associations they may have evoked in a Catholic audience. The book is geared towards academic readers interested in opera, theologians, historians, and those who work at the intersection of theology and the arts. It contributes to a better understanding of the theological implications of Mozart’s operatic work.

Steffen Lösel is Associate Professor in the Practice of Systematic Theology at Candler School of Theology, Emory University, USA.

More from this author