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Theology, Aesthetics, and Culture
Theology, Aesthetics, and Culture
★★★★★
★★★★★
Regular price
€189.10
B01=Professor Robert MacSwain
B01=Taylor Worley
Category1=Non-Fiction
Category=NL-HR
Category=QRAB
Category=QRM
Category=QRVG
Category=QRVJ1
Category=QRVK
COP=United Kingdom
eq_isMigrated=2
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Format=BB
HMM=241
IMPN=Oxford University Press
ISBN13=9780199646821
Language_English
PA=Available
PD=20120913
POP=Oxford
Price=€100 to €200
PS=Active
PUB=Oxford University Press
SMM=25
Subject=Religion & Beliefs
WG=666
WMM=162
Product details
- ISBN 9780199646821
- Weight: 666g
- Dimensions: 162 x 241 x 25mm
- Publication Date: 20 Sep 2012
- Publisher: Oxford University Press
- Publication City/Country: Oxford, GB
- Product Form: Hardback
- Language: English
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David Brown is a widely-respected British theologian who initially made his mark in analytic discussions of Christian doctrine, such as the Trinity. However, with the publication of Tradition and Imagination: Revelation and Change (1999) his career entered a distinctly new phase, focused on theology, imagination, and the arts. Four related volumes followed, dealing with biblical interpretation, Christian discipleship, art and icons, place and space, the body, music, metaphor, drama, liturgy, the sacraments, religious experience, and popular culture. According to Brown, the fundamental thesis underlying all five volumes is that both natural and revealed theology are in crisis, and the only way out is to give proper attention to the cultural embeddedness of both.
Theology, Aesthetics, and Culture is the first attempt to assess the significance of this remarkable series, and its contributors include some of the most prominent philosophers, theologians, historians, biblical scholars, literary scholars, and cultural critics writing today. Aside from its exceptional interdisciplinary range and ecumenical line-up, a distinctive feature is sustained consideration of Browns analysis of popular culture. Given the stature of the contributors, this volume is not merely of interest as a commentary on Browns work, but also makes an important original contribution to our understandings of theology, aesthetics, and culture as they relate to the life of the Church, academy, and human society.
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