Theories of Play and Postmodern Fiction

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A01=Brian Edwards
affirmation
Author_Brian Edwards
Bakhtin dialogism
Bird's Eye
carnival
Carnival Laughter
Carter's Fiction
Category=A
critical theory analysis
deconstruction methodology
don
Drover's Wife
El Iot
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
gasche
Geelong Grammar School
George III
Giles Goat Boy
gravity's
Gravity's Rainbow
Hedonistic Ascendancy
IG Farben
intertextuality studies
Jose Arcadio
Lady Amherst
laughter
ludology
Magical Realism
Magical Realist Texts
Mindless Pleasures
nietzschean
Nietzschean Affirmation
Pet Shop
Petit Recits
Post Cards
Postmodern Hyperspace
poststructuralist literary playforms
Pynchon's Texts
quixote
rainbow
reception theory application
rodolphe
Sot Weed Factor
Tv Game
Vice Versa

Product details

  • ISBN 9780815328476
  • Weight: 770g
  • Dimensions: 138 x 216mm
  • Publication Date: 01 Dec 1997
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
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Drawing on developments in critical theory and postmodernist fiction, this study makes an important contribution to the appreciation of playforms in language, texts, and cultural practices. Tracing trajectories in theories of play and game, and with particular attention to the writings of Nietzsche, Wittgenstein, Bakhtin, and Derrida, the author argues that the concept of play provides perspectives on language and communication processes useful both for analysis of literary texts and also for understanding the interactive nature of constructions of knowledge
Exploring manifestations of game and play throughout the history of Western culture, from Plato to Pynchon, this study traces developments in 20th-century cultural and literary theory of ideas about play in the writings of Johan Huizinga, Roger Caillois, Jacques Ehrmann, Bernard Suits, James Hans, Mihai Spariosu and Robert Rawdon Wilson. The author emphasizes post-structuralist developments with specific attention to deconstruction and reception theory and argues that deconstruction makes the most significant recent contribution to play theory in its application to language and to literature
The work also explores the modes and effects of playforms in particular examples of postmodernist fiction. With attention to major works from Thomas Pynchon (Gravity's Rainbow ), John Barth (LETTERS , Robert Kroetsch (What the Crow Said ), Angela Carter (Nights at the Circus ) and Peter Carey (Illywhacker ), Edwards acknowledges and deconstructs such basic oppositions as play and seriousness, fiction and truth, difference and identity to explore the literature's cultural/political significance. Seeking to affirm the fiction's continuing social relevance, the readings presented in this book place play irresistibly at the heartland of language, meaning and culture.

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