Theorizing a Colonial Caribbean-Atlantic Imaginary

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A01=Keith Sandiford
African Female Slaves
African Male Slave
Anglophone Caribbean
Atlantic world studies
Author_Keith Sandiford
canoe
Cape Verdes
Caribbean Atlantic
Caribbean colonial history
Category=DSB
Category=DSBH5
Category=JBCC
Category=NH
Colonial Authors
Cornelius Castoriadis theory
crosscultural consciousness
Crosscultural Poetics
Dense
Double Consciousness
El Ey
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Female Grotesque
Fi Ve
Glissant's Poetics
Glissant’s Poetics
gure
harris
Hidden Knowledge
history
indigenous mythologies
inkle
john
John Canoe
Kl Ey
liation
Ligon's History
ligons
Ligon’s History
Manioc
mythic origins of sugar economy
Outfl Ow
pre-Columbian
Psyche's Dance
Psyche’s Dance
Silk Cotton Tree
slave society imaginaries
Sudden Materialization
Transfi Guring
wilson
xity
Young Man

Product details

  • ISBN 9781138868861
  • Weight: 272g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 Feb 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book develops a theory of a Caribbean-Atlantic imaginary by exploring the ways two colonial texts represent the consciousnesses of Amerindians, Africans, and Europeans at two crucial points marking respectively the origins and demise of slavocratic systems in the West Indies. Focusing on Richard Ligon’s History of Barbados (1657) and Matthew ‘Monk’ Lewis’ Journal of a West India Proprietor (1834), the study identifies specific myths and belief systems surrounding sugar and obeah as each of these came to stand for concepts of order and counterorder, and to figure the material and symbolic power of masters and slaves respectively. Rooting the imaginary in indigenous Caribbean myths, the study adopts the pre-Columbian origins of the imaginary ascribed by Wilson Harris to a cross cultural bridge or arc, and derives the mythic origins for the centrality of sugar in the imaginary’s constitution from Kamau Brathwaite. The book’s central organizing principle is an oppositional one, grounded on the order/counterorder binary model of the imaginary formulated by the philosopher-social theorist Cornelius Castoriadis. The study breaks new ground by reading Ligon’s History and Lewis’ Journal through the lens of the slaves’ imaginaries of hidden knowledge. By redefining Lewis’ subjectivity through his poem’s most potent counterordering symbol, the demon-king, this book advances recent scholarly interest in Jamaica’s legendary Three Fingered Jack.

Keith Sandiford is a Professor of English at Louisiana State University. He is the author The Cultural Politics of Sugar.

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