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Theory and Practice of Motion Design

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advertising
After Effects
branding
Brian Stone
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Compositional Frame
design pedagogy
Digital User Experience
Dynamic Visualization
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graphic design
GUI Element
HAL
Hold
Indeterminate Systems
interaction design
Interactive Data Visualizations
interdisciplinary motion graphics research
Kinetic Typography
LCD Panel
Lms
logos
Motion Design
motion graphics
motion graphics theory
narrative visualization
NLP
perceptual psychology in design
PNC
Receptive Field
Saint Martin's College
Saint Martin’s College
Saul Bass
semiotic analysis
Superimposing
Symphonie Diagonale
Thomas Crown Aff Air
title design
typography
user interface animation
UX design
Virginia Commonwealth University
visual communication theory
Visual Cortex
Visual Processing Areas

Product details

  • ISBN 9781138490802
  • Weight: 800g
  • Dimensions: 178 x 254mm
  • Publication Date: 23 Jul 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Description

This collection offers an expansive, multiplatform exploration of the rapidly-expanding area of motion design and motion graphics, taking into account both theoretical questions and creative professional practice. Spanning interaction design, product interfaces, kinetic data visualizations, typography, TV and film title design, brand building, narrative storytelling, history, exhibits and environments, editors R. Brian Stone and Leah Wahlin offer an interdisciplinary range of academic essays and professional interviews that together form a dialogue between motion design theory and professional practice.

Written for both those critically engaged with motion design as well as those working or aspiring to work professionally in the field, the book features a range of international contributors and interviews with some of the best-known designers in the field, including Kyle Cooper, Karin Fong, and Daniel Alenquer.

The Theory and Practice of Motion Design seeks to illuminate the diverse, interdisciplinary field of motion design by offering a structured examination of how motion design has evolved, what forces define our current understanding and implementation of motion design, and how we can plan for and imagine the future of motion design as it unfolds.

An accompanying online resource site, www.motionresource.com, contains visual representations of the examples described in the text.
About
R. Brian Stone works in the area of motion design, interaction design, information visualization, and user experience, and is an Associate Professor of Design at The Ohio State University. His work has garnered numerous awards for design excellence, and he has held visiting appointments at the National University of Singapore, Escola Superior de Desenho Industrial in Brazil, and Universidad Americana Managua in Nicaragua. Leah Wahlin’s academic background in English literature and composition pedagogy is layered with professional experience in content development and project management. She brings her interest in the intersections of technology, design, and strategic communication to her role teaching technical and professional communications in the Department of Engineering Education at The Ohio State University.