Theory for Ethnomusicology

Regular price €65.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Harris Berger
A01=Ruth Stone
Ashutosh Gowariker
Atm Machine
Author_Harris Berger
Author_Ruth Stone
Category=AVA
Category=AVL
CIS
Contemporary Ethnomusicology
Country Music
critical approaches to music scholarship
cultural theory analysis
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Ethnomusicological Application
ethnomusicological theory
ethnomusicology
folklore
gender and musicology
Human Vocal Folds
improvisation studies
International Monetary Fund
Lower Order Signs
Mariarosa Dalla Costa
MENA Country
Mentality Characteristic
Model Groove
music anthropology
Occupy Wall Street
Peircean Semiotic
Performative Ethnography
phenomenological music research
postcolonial music studies
qualitative fieldwork methods
research
Social Reproduction
Sonic Color Line
Sound Studies
Sound Studies Scholars
structuralism
Texas Mexican Conjunto
theories of participation
theory
Voice Studies
Whiteness Studies Scholars
Women's Music Festivals
Women’s Music Festivals
world music
Young Man

Product details

  • ISBN 9781138222144
  • Weight: 490g
  • Dimensions: 178 x 254mm
  • Publication Date: 20 Jun 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline’s past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008.

A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field’s relevance and pointing the way toward new horizons of research.

New to this edition:

  • Every chapter in the book is completely new, with richer and more comprehensive discussions.
  • New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation.
  • New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements.

Harris M. Berger is Canada Research Chair in Ethnomusicology, Director of the Research Centre for the Study of Music, Media, and Place, and Professor of Music and Folklore at Memorial University of Newfoundland.

Ruth M. Stone is the Laura Boulton Professor Emerita of Ethnomusicology in the Department of Folklore and Ethnomusicology at Indiana University.

More from this author