Theory for Today's Musician Textbook

Regular price €127.99
20th century music theory
A01=Daniel McCarthy
A01=Ralph Turek
accelerated music theory
Age Group_Uncategorized
Age Group_Uncategorized
Augmented Sixth Chords
Author_Daniel McCarthy
Author_Ralph Turek
automatic-update
Bach’s Chorale Harmonizations
Barbershop Quartets
cadences
Category1=Non-Fiction
Category=AVA
Category=AVGC
Category=AVLA
Chopin
chorale analysis
chromatic harmony
Chromatic Passing Tones
Concept Check
concise music theory textbook
contrapuntal form
COP=United States
counterpoint
Daniel McCarthy
Delivery_Delivery within 10-20 working days
diatonic harmony
Dominant Seventh Chord
eq_art-fashion-photography
eq_isMigrated=2
eq_music
eq_non-fiction
form and analysis
graduate review of music theory
harmony
Language_English
Lead Sheet Symbol
Leading Tone
Leading Tone Seventh Chord
Major Minor Seventh Chords
melodic form
Mm7 Chord
modulation
music analysis
music analysis textbook
music theory
music theory textbook
musical modes
Nonchord Tones
outer-voice framework
PA=Available
part writing
Perfect Authentic Cadence
Pitch Class
Price_€100 and above
PS=Active
review of music theory
rhythm
Roman Numeral Symbols
rondo
Root Position Triad
Secondary Dominant Seventh Chord
Secondary Leading Tone
serial atonality
Seventh Chord
Sixth Chord
softlaunch
sonata form
theory for today's musician
Tonal Border
Tonicizing Chord Groups
Tritone Substitute
Vice Versa

Product details

  • ISBN 9780815371717
  • Weight: 2080g
  • Dimensions: 210 x 260mm
  • Publication Date: 19 Dec 2018
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Delivery/Collection within 10-20 working days

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Theory for Today’s Musician, Third Edition, recasts the scope of the traditional music theory course to meet the demands of the professional music world, in a style that speaks directly and engagingly to today’s music student. It uses classical, folk, popular, and jazz repertoires with clear explanations that link music theory to musical applications. The authors help prepare students by not only exploring how music theory works in art music, but how it functions within modern music, and why this knowledge will help them become better composers, music teachers, performers, and recording engineers.

This broadly comprehensive text merges traditional topics such as part writing and harmony (diatonic, chromatic, neo-tonal and atonal), with less traditional topics such as counterpoint and musical process, and includes the non-traditional topics of popular music songwriting, jazz harmony and the blues. The accompanying companion website provides interactive exercises that allow students to practice foundational theory skills. Written by experienced authors, both active classroom teachers for many years, Theory for Today’s Musician is the complete and ideal theory text to enable today’s student to accomplish their musical goals tomorrow.

Updated and corrected throughout, the Third Edition includes:

  • Expanded coverage of atonality and serialism, now separated into two chapters.
  • Broadened treatment of cadences, including examples from popular music.
  • Substantially rewritten chapter on songwriting.
  • Interactive features of the text simplified to two types, "Concept Checks" and "Review and Reinforcement," for greater ease of use.
  • New and updated musical examples added throughout.
  • Charts, illustrations, and musical examples revised for increased clarity.
  • Audio of musical examples now provided through the companion website.

The accompanying Workbook offers exercises and assignments to accompany each chapter in the book. A companion website houses online tutorials with drills of basic concepts, as well as audio.

The hardback TEXTBOOK is also paired with the corresponding paperback WORKBOOK in a discounted PACKAGE (9780815371731).

Ralph Turek is a theorist, composer, author, jazz pianist, Professor Emeritus at The University of Akron, and a veteran of 35 years of teaching in the music theory classroom.

Daniel McCarthy is a familiar name in contemporary American music. As a composer, he has received distinguished faculty research/creativity awards at Indiana State University and The University of Akron, where he is Chair of the Composition and Theory Section in the School of Music.