Thomas Adès: Asyla

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A01=Edward Venn
Ades's Treatment
advanced orchestral repertoire analysis
Asyla
Asyla Op
Asyla Theme
Author_Edward Venn
Bass Oboe
Bass Riff
BBC Young Musician
Berlin Philharmonic
Birmingham Symphony Orchestra
British musicology
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Chamber Symphony
Chopin
Choral Theme
Chromatic Passing Notes
contemporary orchestral analysis
Contemporary USA
Ecstasio
Edward Venn
Eliot Landscapes
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Functional Tonality
Grawemeyer Award
Harmonic Progression
Horn Melody
Intervallic Cycles
large-scale orchestral works
modern composition techniques
Narrativity
Oboe Melody
Passacaglia Theme
Passus Duriusculus
Piano Quintet
rave music influences
Simon Rattle
String Harmonics
Stylistic Knowledge
symphonic form study
Symphonic Logic
Thomas Ades
Vice Versa

Product details

  • ISBN 9781409468844
  • Weight: 430g
  • Dimensions: 153 x 219mm
  • Publication Date: 24 Nov 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Thomas Adès (b. 1971) is an established international figure, both as composer and performer, with popular and critical acclaim and admiration from around the world. Edward Venn examines in depth one of Adès’s most significant works so far, his orchestral Asyla (1997). Its blend of virtuosic orchestral writing, allusions to various idioms, including rave music, and a musical rhetoric encompassing both high modernism and lush romanticism is always compelling and utterly representative of Adès’s distinctive compositional voice. The reception of Asyla since its premiere in 1997 by Sir Simon Rattle and the City of Birmingham Symphony Orchestra (CBSO) has been staggering. Instantly hailed as a classic, Asyla won the 1997 Royal Philharmonic Society Award for Large-Scale Composition. An internationally acclaimed recording made of the work was nominated for the 1999 Mercury Music Prize, and in 2000, Adès became the youngest composer (and only the third British composer) to win the Grawemeyer prize, for Asyla. Asyla is fast becoming a repertory item, rapidly gaining over one hundred performances: a rare distinction for a contemporary work.

Edward Venn is Associate Professor in Music at the University of Leeds and Critical Forum editor for Music Analysis. His research focuses on twentieth-century and contemporary music, and his first monograph, The Music of Hugh Wood, appeared in 2008. His research on Adès’s Asyla was supported by a Leverhulme Research Fellowship.

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