Thomas Hood and Nineteenth-Century Poetry

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A01=Sara Lodge
Author_Sara Lodge
Category=DSA
Category=DSBF
Category=DSC
comic poetry
cultural politics
cultural production
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
grotesque idiom
Hood punning
illegitimate theatre
London Magazine
London's liberal politics
material entities
modern scholarship
nineteenth-century poetry
print culture
Thomas Hood

Product details

  • ISBN 9780719076268
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Nov 2007
  • Publisher: Manchester University Press
  • Publication City/Country: GB
  • Product Form: Hardback
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This is the first modern critical study of Thomas Hood, the popular and influential nineteenth-century poet, editor, cartoonist and voice of social protest. Acclaimed by Dickens, the Brownings and the Rossettis, Hood’s quirky, diverse output bridges the years between 1820 and 1845 and offers fascinating insights for Romanticists and Victorianists alike.
Lodge’s timely book explores the relationship between Hood’s playfulness, his liberal politics, and contemporary cultural debate about labour and recreation, literary materiality and urban consumption.
Each chapter examines something distinctive of interdisciplinary interest, including the early nineteenth-century print culture into which Hood was born; the traditional, urban and political ramifications of the grotesque art and literature aesthetic; the cultural politics of Hood’s trademark puns; theatre, leisure and the ‘labour question’.
Lively and accessible, this book will appeal to scholars of nineteenth-century English Literature, Visual Arts and Cultural Studies.

Sara Lodge is Lecturer in English, specialising in Nineteenth-Century Literature, at the University of St Andrews

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