Thomas Killigrew and the Seventeenth-Century English Stage
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A01=Philip Major
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Author_Philip Major
Behn's Adaptation
Behn’s Adaptation
Category1=Non-Fiction
Category=DSB
Category=DSG
Category=NL-DS
Charles II
Closet Drama
company
COP=United Kingdom
dramaturgical analysis
dukes
Eikon Basilike
English playwriting history
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
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Format=BB
Gervase Holles
harbage
Henry Killigrew
HMM=234
IMPN=Ashgate Publishing Limited
ISBN13=9781409466680
Killigrew's Play
killigrews
Killigrew’s Play
King CHARLES
King's Company
King’s Company
Lady Castlemaine
Language_English
Leslie Hotson
Mary Villiers
montague
PA=Available
Parson's Wedding
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Parson’s Wedding
PD=20131018
play
Price=€100 to €200
PS=Active
PUB=Taylor & Francis Ltd
Queen Consort
Queen Henrietta's Men
Queen Henrietta’s Men
Restoration stage political dynamics
Restoration theatre
royalist exile
Seventeenth Century English Stage
seventeenth-century literature
Sir John Berkeley
Sir William Davenant
Stuart court culture
Subject=Literature: History & Criticism
summers
Thomas Killigrew
Thomas Killigrew's Thomaso
Thomas Killigrew’s Thomaso
Tom Killigrew
Vere Street
wedding
WG=567
WMM=156
York House
Younger Man
Product details
- ISBN 9781409466680
- Weight: 600g
- Dimensions: 156 x 234mm
- Publication Date: 18 Oct 2013
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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Despite his significant influence as a courtier, diplomat, playwright and theatre manager, Thomas Killigrew (1612-1683) remains a comparatively elusive and neglected figure. The original essays in this interdisciplinary volume shine new light on a singular, contradictory Englishman 400 years after his birth. They increase our knowledge and deepen our understanding not only of Killigrew himself, but of seventeenth-century dramaturgy, and its complex relationship to court culture and to evolving aesthetic tastes. The first book on Killigrew since 1930, this study re-examines the significant phases of his life and career: the little-known playwriting years of the 1630s; his long exile during the 1640s and 1650s, and its personal, political and literary repercussions; and the period following the Restoration, when, with Sir William Davenant, he enjoyed a monopoly of the London stage. These fresh accounts of Killigrew build on the recent resurgence of interest in royalists and the royalist exile, and underscore literary scholars' continued fascination with the Restoration stage. In the process, they question dominant assumptions about neatly demarcated seventeenth-century chronological, geographic and cultural boundaries. What emerges is a figure who confounds as often as he justifies traditional labels of dilettante, cavalier wit and swindler.
Philip Major teaches English at Birkbeck College, University of London. He is also editor of the collection Literatures of Exile in the English Revolution and its Aftermath, 1640-1690, and author of Writings of Exile in the English Revolution and Restoration.
