Thresholds and Boundaries

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A01=Lynn F. Jacobs
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altarpieces
art and religion
art historical methodology
art history
Author_Lynn F. Jacobs
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Category1=Non-Fiction
Category=ACN
Category=AGA
Category=HBJD
Category=NHD
Central Miniature
Chartreuse De Champmol
Choir Screens
Christ Child
Church Portal
class
COP=United Kingdom
De Hooch
death
Delivery_Pre-order
Dutch Seventeenth Century Painting
early modern art
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eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Europe
Hortulus Animae
Hugo Van Der
James IV
Koninklijk Museum Voor Schone Kunsten
Language_English
late medieval Netherlandish visual thresholds
Limbourg Brothers
liminality
Louis Art Museum
Luttrell Psalter
Main Miniature
manuscript illumination
manuscript illumination studies
medieval visual culture
Morgan Library
Netherlandish Art
Netherlands
Northern Europe
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painting
Pieter De Hooch
portal iconography analysis
Portinari Altarpiece
Price_€100 and above
PS=Active
Rembrandt Van Rijn
Renaissance art
Riches Heures
Rogier Van Der Weyden
sacred and secular symbolism
sculpture
Shrine Madonna
social hierarchy in art
softlaunch
Threshold Motif
Van Gennep's Analysis
Van Gennep’s Analysis

Product details

  • ISBN 9781472457813
  • Weight: 630g
  • Dimensions: 174 x 246mm
  • Publication Date: 02 Oct 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Although liminality has been studied by scholars of medieval and seventeenth-century art, the role of the threshold motif in Netherlandish art of the late fourteenth, fifteenth and early sixteenth centuries -- this late medieval/early ‘early modern’ period -- has been much less fully investigated. Thresholds and Boundaries: Liminality in Netherlandish Art (1385-1550) addresses this issue through a focus on key case studies (Sluter's portal of the Chartreuse de Champmol and the calendar pages of the Limbourg Brothers' Très Riches Heures), and on important formats (altarpieces and illuminated manuscripts). Lynn F. Jacobs examines how the visual thresholds established within Netherlandish paintings, sculptures, and manuscript illuminations become sites where artists could address relations between life and death, aristocrat and peasant, holy and profane, and man and God—and where artists could exploit the "betwixt and between" nature of the threshold to communicate, paradoxically, both connections and divisions between these different states and different worlds. Building on literary and anthropological interpretations of liminality, this book demonstrates how the exploration of boundaries in Netherlandish art infused the works with greater meaning. The book's probing of the -- often ignored --meanings of the threshold motif casts new light on key works of Netherlandish art.

Lynn F. Jacobs is Distinguished Professor of Art History at the University of Arkansas. Her previous publications have included two books -- Early Netherlandish Carved Altarpieces: Medieval Tastes and Mass Marketing and Opening Doors: The Early Netherlandish Triptych Reinterpreted -- as well as articles in Art Bulletin, The Sixteenth Century Journal, Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen, Zeitschrift für Kunstgeschichte and elsewhere. In 1990 her Art Bulletin article was awarded the Arthur Kingsley Porter Prize by the College Art Association.

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