Throw Your Voice

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A01=Meghanne Barker
Age Group_Uncategorized
Age Group_Uncategorized
Author_Meghanne Barker
automatic-update
Category1=Non-Fiction
Category=ASZM
Category=ATXM
Category=JHMC
Children in postsocialist state institutional care
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fantastic play with dolls and puppets
Language_English
National ideologies of hope and futurity
PA=Available
Performing cuteness and vulnerability for adults
Price_€20 to €50
PS=Active
Puppetry in Central Asia
softlaunch

Product details

  • ISBN 9781501776465
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Aug 2024
  • Publisher: Cornell University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Throw Your Voice is a story of loss and recovery. It relates how children placed in a temporary care institution make sense of their situations. Moving between a Kazakhstan government children's home, Hope House, and the Almaty State Puppet Theater, Meghanne Barker shows how children, and puppets, as proxies, bring to life ideologies of childhood and visions of a rosy future. Sites and stories run in parallel. Framed by the narrative of Anton Chekhov's "Kashtanka," about a lost dog taken in by a kind stranger, the author follows the story's staging at the puppet theater. At Hope House, children find themselves on a path similar to Kashtanka, dislodged from their first homes to reside in a second.

The heart of this story is about living in displacement and about the fragile intimacies achieved amidst conditions of missing. Whether due to war, migration, or pandemic, people get separated from those closest to them. Throw Your Voice examines how strangers become familiar, and how objects mediate precarious ties. She shows how people use fantasy to mitigate loss.

Meghanne Barker is Lecturer in Education, Practice and Society at the UCL Institute of Education and a Visiting Fellow in the Department of Media and Communications at the London School of Economics. She is an editor of Semiotic Review.

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