Tiger King: Murder, Mayhem and Madness

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Animal Care
Animal Studies
Big Cat
Category=ATFA
Category=ATFR
Category=JBCT
Daily Press Briefing
digital culture research
documentary theory
eq_art-fashion-photography
eq_bestseller
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eq_nobargain
eq_non-fiction
eq_society-politics
ethics of animal representation in documentaries
Exotic Animals
Generic Chaos
genre studies television
Internet Celebrities
Internet Meme
labor relations in media
Literary Critic Mikhail Bakhtin
Production Practices
queer media studies
Radical Empathy
Reality Television
Reality Televisualization
Reality Tv
Reality Tv Show
Reality Tv Star
Snow Leopard
streaming media analysis
Tanya Horeck
Tiger Cub
Tiger King
True Crime
Tv Industry
Violate
White Tigers
Young Men

Product details

  • ISBN 9780367721824
  • Weight: 249g
  • Dimensions: 138 x 216mm
  • Publication Date: 05 Jan 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The third volume in the Docalogue series, this book explores the significance of the documentary series Tiger King: Murder, Mayhem and Madness (2020), which became 'must-see-TV' for a newly captive audience during the global Covid-19 pandemic.

The series – a true-crime, tabloid spectacle about a murder-for-hire plot within the big cat trade – prompts interesting questions about which documentaries become popular in particular moments and why. However, it also raises important questions related to the medium specificity of documentary in the streaming era, as well as the ethics of both human and animal representation. By combining five distinct perspectives on the Netflix documentary series, this book offers a complex and cumulative discourse about Tiger King’s significance in multiple areas including, but not limited to, animal studies, queer theory, genre studies, labor relations, and digital culture.

Students and scholars of film, media, television, and cultural studies will find this book extremely valuable in understanding the significance of this larger-than-life true-crime documentary series.

Jaimie Baron is Associate Professor of Film Studies at the University of Alberta. She is author of two books, The Archive Effect: Found Footage and the Audiovisual Experience of History (2014) and Reuse, Misuse, Abuse: The Ethics of Audiovisual Appropriation in the Digital Era (2020), as well as numerous journal articles and book chapters. She is also the director of the Festival of (In)appropriation, a yearly international festival of short experimental found footage films and videos.

Kristen Fuhs is Associate Professor of Media Studies at Woodbury University. She writes about documentary film, the American criminal justice system, and contemporary celebrity, and her work has appeared in journals such as Cultural Studies; the Historical Journal of Film, Radio, and Television; and the Journal of Sport & Social Issues.