Timbre Composition in Electroacoustic Music
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advanced electroacoustic composition methods
auditory perception
Category=AVLA
contemporary musicology
Cross Synthesis
digital signal processing
Electro-acoustic Music
Electroacoustic Music
Elektronische Musik
Energy Profile
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FM Signal
French electroacoustic music
Gesang Der
Granular Noise
Granular Sampling
Granular Synthesis
IBM Compatible Computer
Identifiable Source
instrumental composition
La Coquille
MIDAS
Midi Channel
Midi Data
music cognition
Phase Vocoder
Played Back
psychoacoustics
Significant Frequency Components
sound design techniques
Sound Material
Spectral Envelope
Stockhausen's Gesang Der
Stockhausen’s Gesang Der
Timbral Transformation
timbre diversification
Vice Versa
Young Man
Product details
- ISBN 9783718655724
- Weight: 460g
- Dimensions: 170 x 245mm
- Publication Date: 20 Oct 1994
- Publisher: Harwood-Academic Publishers
- Publication City/Country: CH
- Product Form: Paperback
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First Published in 1994. The contributions to this collection have been selected to define a range of interests from the technical, aesthetic, cognitive and compositional spheres. The book addresses the continuing need for musicologists, psychologists, composers and listeners to enter into a creative dialogue with designers and builders, who are usually programmers in the contemporary world. The collection as a whole will help to demonstrate the great potential for exchange between the multidisciplinary approaches to music.
Simon Emmerson is Professor of Music, Technology and Innovation at De Montfort University, Leicester. As a composer, he works mostly with live electronics, recently for Sond'Arte (Lisbon), and acousmatic work for the Inventionen Festival (Berlin). His books include The Language of Electroacoustic Music (1986), Music, Electronic Media and Culture (2000) and Living Electronic Music (2007). In 2009-10, he was DAAD Edgar Varese Visiting Professor at the Technische Universitat Berlin. Leigh Landy directs the Music, Technology and Innovation Research Centre at De Montfort University. His scholarship is divided between creative and musicological work, and his compositions have been performed around the globe. He is editor of the journal Organised Sound and author of several books including Understanding the Art of Sound Organization (2007) and Making Music with Sounds (2012). He directs the ElectroAcoustic Resource Site (EARS) projects and is a founding director of the Electroacoustic Music Studies Network (EMS).
