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Time Matter(s): Invention and Re-Imagination in Built Conservation
Time Matter(s): Invention and Re-Imagination in Built Conservation
★★★★★
★★★★★
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A01=Federica Goffi
Above Ground
adaptive reuse strategies
alfarano
Alfarano's Plan
Alfarano’s Plan
architectural
architectural heritage theory
architectural representation studies
Architectural Spoils
Author_Federica Goffi
Body Schema
Category=AM
Category=AMN
corpse
creative conservation in historic architecture
cross
drawing
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exquisite
Exquisite Corpse
Gold Paint
Holy Cloth
hybrid conservation approach
Hybrid Drawing
Instant Making
Julius III
latin
main
Main Nave
Mater Ecclesiae
Metaphoric Transparency
Michelangelo's Plan
Michelangelo’s Plan
micro-historical analysis
nave
Paul III
Pope Paul III
Print Clippings
Renaissance restoration methods
Sala Dei Cento Giorni
Stratigraphic Drawings
Tempio Malatestiano
tiberio
Tiberio Alfarano
Twinned Body
Vatican Basilica
Vatican Temple
Vice Versa
Product details
- ISBN 9781138279667
- Weight: 520g
- Dimensions: 174 x 246mm
- Publication Date: 17 Nov 2016
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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Even though the idea of altering an existing building is presently a well established practice within the context of adaptive reuse, when the building in question is a 'mnemonic building', of recognized heritage value, alterations are viewed with suspicion, even when change is a recognized necessity. This book fills in a blind spot in current architectural theory and practice, looking into a notion of conservation as a form of invention and imagination, offering the reader a counter-viewpoint to a predominant western understanding that preservation should be a 'still shot' from the past. Through a micro-historical study of a Renaissance concept of restoration, a theoretical framework to question the issue of conservation as a creative endeavor arises. It focuses on Tiberio Alfarano's 1571 ichnography of St. Peter's Basilica in the Vatican, into which a complex body of religious, political, architectural and cultural elements is woven. By merging past and present temple's plans, he created a track-drawing questioning the design pursued after Michelangelo’s death (1564), opening the gaze towards other possible future imaginings. This book uncovers how the drawing was acted on by Carlo Maderno (1556-1629), who literally used it as physical substratum to for new design proposals, completing the renewal of the temple in 1626. Proposing a hybrid architectural-conservation approach, this study shows how these two practices can be merged in contemporary renovation. By creating hybrid drawings, the retrospective and prospective gaze of built conservation forms a continuous and contiguous reality, where a pre-existent condition engages with future design rejoining multiple temporalities within continuity of identity. This study might provide a paradigmatic and timely model to retune contemporary architectural sensibility when dealing with the dilemma between design and preservation when transforming a building of recognized significance.
Dr Federica Goffi, Azrieli School of Architecture & Urbanism, Carleton University, Canada.
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