Time Present and Time Past

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A01=Paul Barlow
aesthetic theory debates
art
art historical methodology
Author_Paul Barlow
Blind Girl
Carlyle's Sartor Resartus
Carlyle’s Sartor Resartus
Category=AB
Category=AGA
Cherry Ripe
cultural status in art
Deserted Garden
Earlier Pre-Raphaelite Works
Effie Deans
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fireman
Grey Lady
Julian Treuherz
Knight Errant
Las Meninas
Manchester City Art Gallery
Millais critical reception studies
Millais's Art
Millais's Career
Millais's Painting
Millais's Portrayal
Millais's Reputation
Millais's Work
millaiss
Millais’s Art
Millais’s Career
Millais’s Painting
Millais’s Portrayal
Millais’s Reputation
Millais’s Work
National Museums Liverpool
nineteenth-century British painting
North West Passage
Peace Concluded
Pre-Raphaelite movement analysis
Proscribed Royalist
Royal Academy
Sir Isumbras
Victorian art criticism
Whistlerian Aestheticism
work

Product details

  • ISBN 9781138258518
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 06 Mar 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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John Everett Millais (1829-1896) is undoubtedly among the most important of Victorian artists. In his day, and our own, he remains also the most controversial. While, during his lifetime, controversy centred around his early Pre-Raphaelite paintings, in particular Christ in the house of his Parents (1850), during the twentieth century the most intense criticism has been directed towards Millais's later works, such as Bubbles (1886), which has been widely condemned as sentimental 'kitsch'. These later paintings have been held up as the epitome of the degradation of art, against which avant-garde and Modernist pioneers struggled. None of the existing literature on Millais addresses the fundamental problem that this double-identity reveals. While there is extensive material on the Pre-Raphaelite movement in general, Millais's own work after the 1850s is rarely discussed in detail, despite the fact that he lived and worked for another 30 years after his abandonment of the Pre-Raphaelite style. Time Present and Time Past: The Art of John Everett Millais presents the first comprehensive account of Millais's artistic career from beginning to end. The book considers the question of 'high' and 'low' cultural status in debates during Millais's own day, and in subsequent critical thinking, situating Millais's art as a whole within this cultural framework.

Dr Paul Barlow is Lecturer at University of Northumbria at Newcastle, UK.

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