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To Chester and Beyond: Meaning, Text and Context in Early English Drama
To Chester and Beyond: Meaning, Text and Context in Early English Drama
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A01=David Mills
audience reception medieval plays
Author_David Mills
Bale's King Johan
Bale’s King Johan
Category=DSBB
Category=DSG
Chester Chronicle
Chester Plays
Chester's Cycle
Chester's Mystery Cycle
Chester’s Cycle
Chester’s Mystery Cycle
Civic Cycle
Contemporary Society
Corpus Christi Play
Corpus Christi Procession
cultural performance history
English mystery cycles
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
John Savage
Late Banns
liturgical drama analysis
manuscript editing techniques
Medieval Drama
medieval English drama research
medieval theatre studies
Midsummer Show
Miraclis Pleyinge
Northgate Street
Nugent Monck
Secunda Pastorum
Sir John Savage
St Michael's Church
St Michael’s Church
Talented Young Lady
Town Hall
Vice Versa
Whitsun Plays
Young Man
Product details
- ISBN 9780367879389
- Weight: 453g
- Dimensions: 156 x 234mm
- Publication Date: 12 Dec 2019
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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This volume brings together a selection of the major articles of David Mills (1938-2013), which along with similar volumes by Alexandra F. Johnston, Peter Meredith and Meg Twycross makes up a set of "Shifting Paradigms in Early English Drama Studies". Mills was one of these four key scholars whose work has changed what is known about English medieval drama and theatre. He made major contributions to understanding English medieval theatre in the widest sense but more specifically to the nature and development of medieval plays and their performance at Chester. The scope of his work from manuscript to performance has created new knowledge and insights brought about by his remarkable technical skill as an editor and researcher. His texts of the Chester Cycle of Mystery Plays have become the standard works. In the light of this outstanding research the volume is comprised of four sections: 1. Editors and Editing; 2. Cultural Contexts; 3. Staging and Performance; 4. Criticism and Evaluation. An editorial introduction opens the work.
David Mills (1938-2013) was Emeritus Professor of English at the University of Liverpool, UK; Philip Butterworth is Visiting Research Fellow at the Institute for Medieval Studies, University of Leeds, UK
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