Tombs in Shakespearean Drama

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A01=H. Austin Whitver
Author_H. Austin Whitver
Category=ATD
Category=DSA
Category=DSBC
Category=DSBD
Category=DSG
Chronicle Play
Commemorative Media
commemorative practices
Confer
Dead Man
dramatic representations of monuments
Early Jacobean Drama
Early Modern
early modern drama
East Isle
Edward II
Edward III
English Renaissance literature
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eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Final Lesson
Henry III
Henry IV
Henry Iv Play
historiography of theater
Joan La Pucelle
material culture studies
memory and identity construction
Monumental Body
OED
Persona
Richard II
Richard III
Richard's Tomb
Salisbury's Death
Transi Tomb
Violated
Vp

Product details

  • ISBN 9781032343082
  • Weight: 439g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Tombs in Shakespearean Drama explores the rhetorical deployment of tombs and monuments on the early modern stage, demonstrating their historiographic power and mythmaking potential. By analyzing references to tombs in plays by Shakespeare and others in conjunction with extant monuments, this volume demonstrates how these references function in two overlapping ways in period drama: monuments act as repositories of information about the past, and they allow the living to construct and preserve fictive narratives.

The stage exposes the flimsy materiality of paper, placing less value on the written word than period poetry. In this way, critics have perhaps oversold as universal Shakespeare’s poetic praise of stone. Tombs within plays act as a powerful historical and narrative medium, raising the stakes to provide the stage with the illusion of permanency. Playwrights use tombs to anchor the stage action, giving a sense of lasting importance to dramatic events and combatting the ephemeral nature of the playhouse. In drama, Shakespeare and others drew on the persona preserved on tombs; this volume widens our view of how these representations interacted in the commemorative economy of early modern England. Within the playhouse, it was the tomb, not the tome, that stood as a symbol of permanence.

H. Austin Whitver is a Senior Instructor at the University of Alabama, Tuscaloosa. He received his Ph.D with a focus on Early Modern Drama from the University of Alabama through The Hudson Strode Program in Renaissance Studies. He has published articles in Studies in English Literature: 1500–1900 and Journal for Early Modern Cultural Studies and is a regular contributor to the Shakespeare Association of America conference.

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