Totem Pole Carving

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A01=Vickie Jensen
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Author_Vickie Jensen
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Category1=Non-Fiction
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Category=AFKC
Category=AGA
Category=JBSL11
Category=JFSL9
COP=United States
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Language_English
Native art
Nisga'a art
Nisga’a art
Norman Tait
Northwest coast art
Northwest coast carving
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Price_€20 to €50
PS=Active
softlaunch
totem pole carving
Totem poles

Product details

  • ISBN 9780295745329
  • Weight: 454g
  • Dimensions: 203 x 241mm
  • Publication Date: 31 Oct 2020
  • Publisher: University of Washington Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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The first book to document the entire process of carving a Northwest Coast totem poleIn 1985, photographer and writer Vickie Jensen spent three months with Nisga’a artist Norman Tait and his crew of young carvers as they transformed a raw cedar log into a forty-two-foot totem pole for the BC Native Education Centre. Having spent years recovering the traditional knowledge that informed his carving, Tait taught his crew to make their own tools, carve, and design regalia, and together they practiced traditional stories and songs for the pole-raising ceremony.

Totem Pole Carving shares two equally rich stories: the step-by-step work of carving and the triumph of Tait teaching his crew the skills and traditions necessary to create a massive cultural artifact. Jensen captures the atmosphere of the carving shed—the conversations and problem-solving, the smell of fresh cedar chips, the adzes and chainsaws, the blistered hands, the tension-relieving humor, the ever-present awareness of tradition, and the joy of creation. Generously illustrated with 125 striking photographs, and originally published as Where the People Gather, this second edition features a new preface from Jensen and an updated, lifetime-spanning survey of Tait’s major works.

Vickie Jensen has collaborated with Pacific Northwest Indigenous communities since the early 1970s to document and revitalize languages and assist in First Nations work toward self-determination. Norman Tait (1941–2016), considered the foremost Nisga’a carver of his generation and the first Northwest Coast carver to have a solo exhibition at Vancouver’s Museum of Anthropology, cofounded the Klee Wyck Carvers school.

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