Touki Bouki

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A01=Rosalind Galt
African cinema
African film history
African visual culture
audiovisual experimentation
Author_Rosalind Galt
Category=ATF
Category=ATFA
Category=ATFG
cinematic modernism
classic world cinema
Dakar
decolonial theory
desire and representation
Djibril Diop Mambety
eq_art-fashion-photography
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eq_nobargain
eq_non-fiction
New Waves
political aesthetics
postcolonial identity
postcolonial migration
Senegalese cinema
Touki Bouki (1973)
transnational cinema
world cinema

Product details

  • ISBN 9781839029004
  • Weight: 168g
  • Dimensions: 132 x 188mm
  • Publication Date: 02 Apr 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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Djibril Diop Mambéty’s exuberant, inventive and urgent film Touki Bouki (The Journey of the Hyena) (1973) follows a young couple, Mory (Magaye Niang) and Anta (Mareme Niang), who dream of leaving their home in Dakar, Senegal for an imagined better life in Paris.

Rosalind Galt’s insightful study analyses Touki Bouki’s cinematic worlds, from its narrative of postcolonial migration to its influence by international film style, both nonetheless grounded in African visual cultures and critical perspectives. Touki Bouki explores the intertwined histories of the postcolonial and the transnational, showing how the aesthetic and political ideas found in the experimentation of cinematic modernisms and New Waves are as African as they are European.

Galt’s study interweaves a conceptual framework of world cinema studies and anti/decolonial theory with close analysis of Touki Bouki’s innovative audiovisual forms and its representations of desire and identity in postcolonial Senegal. Providing a detailed reading of the film’s themes and cinematic style, she argues for its classic status and for its long-lasting influence on world cinema.

Rosalind Galt is Professor of Film Studies at King's College London, UK. She is the author of Alluring Monsters: the Pontianak and Cinemas of Decolonization (2021), Pretty: Film and the Decorative Image (2011) and The New European Cinema: Redrawing the Map (2006); the co-author with Karl Schoonover of Queer Cinema in the World and the co-editor with Karl Schoonover of Global Art Cinema: New Theories and Histories (2010).

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