Touring Performance and Global Exchange 1850-1960

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American Humour
Artemus Ward
Australian National University
Cantonese Opera
Category=AB
Category=AFKP
Category=AGA
Category=ATD
Category=JBCC
Category=JHM
Category=NHTB
Charters Towers
circus performance analysis
colonial entertainment history
cultural mobility
Desley Deacon
English Opera
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fatal Wedding
Female Clowns
Fillis's Circus
Fillis’s Circus
Gendered Work Cultures
Global
global performance networks research
Green Bushes
John Drew
Joss House
Lion Act
Lotte Goslar
Music
National Library
Opera
opera touring circuits
Performance
performance historiography
Shipwreck Narratives
Songlines
Stage Tact
Sullivan's Comic Operas
Sullivan’s Comic Operas
Theatre
Touring
Town Hall
transnational theatre studies
Travel
Trial Leave
Van Diemen's Land
Van Diemen’s Land
Victorian Goldfields
Young Men

Product details

  • ISBN 9780367519667
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Jan 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This collection uncovers connections and coincidences that challenge the old stories of pioneering performers who crossed the Atlantic and Pacific oceans from the mid-nineteenth to the mid-twentieth century.

It investigates songlines, drama, opera, music theatre, dance, and circus—removing traditional boundaries that separate studies of performance, and celebrating difference and transformation in style, intention, and delivery. Well known, or obscure, travelling performers faced dangers at sea and hazardous journeys across land. Their tracks, made in pursuit of fortune and fame, intersected with those made by earlier storytellers in search for food. Touring Performance and Global Exchange takes a fresh look at such tracks—the material remains—demonstrating that moving performance does far more than transfer repertoires and people; it transforms them. Touring performance has too often beenconceived in diasporic terms, as a fixed product radiating out from a cultural centre. This collection maps different patterns—ones that comprise reversed flows, cross currents, and continually proliferating centres of meaning in complex networks of global exchange.

This collection will be of great interest to scholars and students in theatre, music, drama studies, and cultural history.

Gilli Bush-Bailey is Professor Emerita of the Royal Central School of Speech and Drama, University of London, United Kingdom.

Kate Flaherty is a Senior Lecturer in English and Drama at the Australian National University.