Toward a Global Middle Ages - Encountering the World through Illuminated Manuscripts

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Alex J. West
analogues
art and drawing
art history
art history text
Asa Simon Mittman
asia and south
Australasia
australia
blurred boundaries
book of hours
boundaries of europe
Byzantium
Category=AGA
Category=AKH
Category=NHDJ
Category=WFU
chaucer
Christianity
circulation
collection of essays
colonialist
contemporary art history
contributors
dense
encounter
eq_art-fashion-photography
eq_bestseller
eq_crafts-hobbies
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eurocentric
eurocentrism
Europe
exchange of ideas
field of medieval
fluid cultures
focus on europe
Getty Museum symposium
global in scope
global middle ages
grouping of essays
intermediality
intersectionality
looking at england
manuscripts and books
mapmakers
maps and travel
Medieval studies
medievalism
medievalists
Meghan E. O'Neill
Morgan Picture Bible
multi-ethnic
nonfiction art photography
nonfiction books about books
over the boundaries
pages and margins
paleography
Pamela A. Patton
periodization
pictures and light
places and periods
points of contact
priest novel research
range of academics
range of periods
range of places
referenced
resources and references
Rheagan Eric Martin
science arts philosophy
sistine
softbound
south america asia africa
studies to show
supremacists
Suzanne Conklin Akbari
Sylvie Merian
textbooks art history
textual objects
topics being discussed
trade and cultural
Traversing the Globe
Tushara Bindu Gude
variety of cultures
variety of experts
world-making

Product details

  • ISBN 9781606065983
  • Weight: 666g
  • Dimensions: 150 x 250mm
  • Publication Date: 27 Aug 2019
  • Publisher: Getty Trust Publications
  • Publication City/Country: US
  • Product Form: Paperback
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Illuminated manuscripts and illustrated or decorated books - like today's museums - preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures and everyone's place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. 'Toward a Global Middle Ages: Encountering the World through Illuminated Manuscripts' is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume's multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives and materials from Africa, Asia, Australasia and the Americas - an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring over 160 colour illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.
Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of a global Middle Ages and fantasy medievalisms.