(toward) a phenomenology of acting

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A01=Phillip Zarrilli
acting
action
actor training methods
Actor's Performance Score
Actor’s Performance Score
attention
Auditory Awareness
Author_Phillip Zarrilli
Beckett's Shorter Play
Beckett's Texts
Beckett’s Shorter Play
Beckett’s Texts
body
bodymind
Bodymind Awareness
Breath Control Exercises
Category=ATDC
Category=QD
Ceiling Fan
character
coda
cognitive science
communication
contemporary acting
Dark Play
De Gaynesford
dynamic systems theory
embodied
embodied cognition
Embodied Processes
Enactive View
enquiry
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethics
figure
first person
Genet's Play
Genet’s Play
Grotowski's Question
Grotowski’s Question
imagining
intercultural performance
intersubjective
Kathakali Dance Drama
Le Visage
living
Lower Abdominal Region
National Theatre Company
Odin Teatret
perception
Perceptual Skill Development
performance
phenomenological approach to acting
phenomenology
Psychophysical Training
Richard III
self
Sensory Awareness
sensory experience
Shakespeare's Richard III
Shakespeare’s Richard III
sonorous
speech
studio-based research
subjectivity
Tactile Awareness
theatre pedagogy
Verbal Prompts
voicing

Product details

  • ISBN 9781138777682
  • Weight: 606g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In (toward) a phenomenology of acting, Phillip Zarrilli considers acting as a ‘question’ to be explored in the studio and then reflected upon.

This book is a vital response to Jerzy Grotowski’s essential question: "How does the actor ‘touch that which is untouchable?’" Phenomenology invites us to listen to "the things themselves", to be attentive to how we sensorially, kinesthetically, and affectively engage with acting as a phenomenon and process. Using detailed first-person accounts of acting across a variety of dramaturgies and performances from Beckett to newly co-created performances to realism, it provides an account of how we ‘do’ or practice phenomenology when training, performing, directing, or teaching. Zarrilli brings a wealth of international and intercultural experience as a director, performer, and teacher to this major new contribution both to the practices of acting and to how we can reflect in depth on those practices.

An advanced study for actors, directors, and teachers of acting that is ideal for both the training/rehearsal studio and research, (toward) a phenomenology of acting is an exciting move forward in the philosophical understanding of acting as an embodied practice.

Phillip Zarrilli is Artistic Director of The Llanarth Group and Emeritus Professor of Performance Practice at Exeter University, UK. He directs, performs, and teaches internationally, with recent professional productions in the UK, Singapore, Costa Rica, Ireland, and Norway. Zarrilli is widely known for his publications on acting including Psychophysical Acting: An Intercultural Approach After Stanislavski (2009, 2010 Outstanding Book of the Year, ATHE); Intercultural Acting and Performer Training, co-editor; Acting (Re)Considered: Theories and Practices, editor; and Acting: Interdisciplinary and Intercultural Perspectives, co-author.

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