Towards a Sociology of Selfies

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A01=Christine Lavrence
A01=Maria-Carolina Cambre
Aesthetic Labor
affect theory application
Age Group_Uncategorized
Age Group_Uncategorized
algorithmic gaze analysis
Author_Christine Lavrence
Author_Maria-Carolina Cambre
automatic-update
Carolina Cambre
Category1=Non-Fiction
Category=JHB
Category=JMS
Christine Lavrence
Confers
COP=United Kingdom
Delivery_Delivery within 10-20 working days
Digital Capitalism
Digital Culture
Digital Ecologies
digital identity formation
Digital Self-presentation
Digital Vernacular
Digital Visibility
Dog Face
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Face To Face
Fake
Fake Smile
Filtered Face
Follow
Gateway
Gender
gendered online practices
Hegemonic Gaze
Holds
Iconographic Conventions
Language_English
Makeup
networked visual culture
PA=Available
Price_€20 to €50
PS=Active
qualitative social research
Refocus
ritualised digital self-representation
Selfie Images
Selfie Taker
Selfies
Smoothing
Sociology
softlaunch
Techno Capitalism
Technology
Uploads
Young Man
Youth Studies

Product details

  • ISBN 9781032407593
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Aug 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book examines selfies as a relational and processual networked social practice, performed between people within digital contexts and that involve online/offline intersections and tensions. It offers an analysis of selfies through a rich and interdisciplinary framework, that explores the ritualized and affective engagements selfies provoke from others.

Given that selfies by definition are shared and posted through networked platforms, they complicate notions of traditional photographic self-portraiture. As such, this book explores how selfies invoke broader, stratified patterns of looking that are occluded in discourses of "empowerment" and "visibility", as well as the subjectivities these networked practices work to produce.

Drawing on extensive qualitative research conducted over a period of three years, this book questions not only what selfies are but what they do, they worlds they create, the imaginaries that organize them, and the flows of desire, affect and normativity that underpin them, questions that can only be addressed through research that closely attends to the experience of selfie-takers. It will be of interest to those working in the fields of Sociology, Cultural studies, Communications, Visual Studies, Social Media studies, Feminist research and Affect Theory.

Maria-Carolina Cambre is an associate professor at Concordia University, Montreal CA and Chercheuse associée à IRCAV-Paris (2020-25). Cambre’s research addresses visual processes of legitimation, questions of representation, visual methodologies. Cambre is the author of: The Semiotics of Che Guevara: Affective gateways (2015/16), and co-editor of Mediated Interfaces: The Body on Social Media (with Katie Warfield and Crystal Abidin 2020) and the forthcoming Visual Pedagogies: Concepts, Cases & Practices (with Edna Barromi-Perlman, and David Herman Jr. 2022)

Christine Lavrence is Associate Professor of Sociology at King’s University College at Western University. Lavrence’s research explores questions related to digital media, visual sociology, memory and memorialization.

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