Towards an Inclusive Museology in Material Culture Museums

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1960s
1970s
action
activist curatorial methods
Africa
Afrikamuseum
Angola
Aotearoa
art history
art museum
artefact
artifact
artist
Australia
Belgium
Brook Andrew
Category=AB
Category=AGA
Category=GLZ
Category=JBCC2
Category=JBSL
Category=JHB
Category=JHM
Category=NHTQ
Category=NHTR
Category=NKA
Centre Pompidou
climate
climate change
collections
colonialism
contemporary art
critical museology
critique
Croatia
cultural heritage
curator
decolonial museum practices
decolonisation
decolonization
Democratic Republic of Congo
discourse
ecology
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eq_history
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eq_non-fiction
eq_society-politics
ethnology
Europe
forthcoming
France
Global North
Global South
heritage
heritage and identity studies
institutional critique
institutions
justice
Lagos
Lubumbashi National Museum
Musee de lHomme
museum studies
Museum Volkenkunde
natural history
Netherlands
New Museology
New York
New Zealand
Nigeria
object
participatory art
Paula Nascimento
performance art
Rijksmuseum
Rosanna Raymond
social practice
socially aware
socially engaged museum transformation
sociomuseology
United States
Wereldmuseum
Yto Barrada

Product details

  • ISBN 9781032771557
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Jul 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume explores contemporary artistic practices developed in material culture museums to reimagine historic collections. It begins by examining the influence of conceptual art within art museums and the transformative impact it has had on museology. Specifically, it highlights how conceptual art's institutional critique, initially rooted in the art world, has been adopted and adapted by other areas of museology.

The contributions collected in this volume span various timelines: they consider historic conceptualism and its influence in the art or ethnographic museum; recent North-South/ East-West de-colonial practices, with a focus on practices developed on the African continent; post-digital conceptual practices that are problematising heritage and locality; and performative and activist conceptual practices. At the same time, some of the contributions gathered in this volume express a timely critique of artistic interventions in museums, which turn out to be formal solutions that maintain a hegemonic vision on history.

The chapters examine conceptual art in the development of new solutions for socially engaged and decolonizing museological practices. The first part considers artistic actions conceived as a response to the history of art and the art institution, and explores their intended repercussions in social space and other branches of museology. The second part shifts the perspective from the art museum to ethnology, history and natural history museums. The final part explores an emerging vision of the museum as a socially and ecologically just, virtual, or concrete space of action and discourse, advocating its affinity with recent innovative trans-disciplinary, post conceptual and performative art practices.

The book will be of interest to scholars working in contemporary art and practice, art history, museum studies, and heritage studies.

Marta Jecu is an integrated researcher and professor at Lusófona University, Lisbon, Portugal and an independent curator.