Toxic Immanence

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accident
Allen Ginsberg
alterlife
Anthropocene
archeology
atomic age
Australian aborigenes
biopolitics
Britain
Category=JBCC
Category=RN
Category=RNQ
Chernobyl
climate emergency
Cold War
colonialism
decolonizing
disaster
downwinders
Dreamtime
ecocriticism
enduring
energy
environmental
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
fallout
fiction
Fukushima
fusion
Glenn Canyon
Great Bear Lake Dene
hibakusha
Hiroshima
humanities
IAEA
immanence
indigenous
Kazakhstan
Manhattan project
Maralinga
Marshall Islands
Media
necropolitics
nuclear
nuclear-free
pedagogies
politics
post-apocalyptic
power
radiation
science
seismic
Semipalatinsk Test Site
Shin Godzilla
sovereignty
tests
Undone
uranium
waste
weapons
zone

Product details

  • ISBN 9780228011361
  • Dimensions: 165 x 241mm
  • Publication Date: 15 Sep 2022
  • Publisher: McGill-Queen's University Press
  • Publication City/Country: CA
  • Product Form: Hardback
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More than a decade after the Fukushima Daiichi nuclear disaster, what we are witnessing is not a Second Nuclear Age – there is no post-atomic – but an uncanny, quiet return of the nuclear threat that so vividly animated the Cold War era. The renewed threat of nuclear proliferation, public complacency regarding weapons stockpiles, and the lack of a single functioning long-term repository after seventy years and thousands of tonnes of nuclear waste reveals the industry’s capacity for self-reinvention abetted by an ever-present capacity to forget. More than “fabulously textual,” as Jacques Derrida described it, the protean, unbound, and unending materiality of the nuclear is here to stay: resistance is crucial.

Toxic Immanence introduces contemporary interdisciplinary perspectives that resist and decolonize the nuclear. Contributors highlight the prevalence and irrationality of slow violence and colonial governance as elements of the contemporary nuclear age. They propose a reappraisal of Cold War-era anti-nuclear art as well as pop culture representations of nuclear disaster, while decolonizing pedagogies advance the role of education in communicating and understanding the lethality of nuclear complexes. Collectively, the essays develop a robust critical discourse across fields of nuclear knowledge and integrate the work of the nuclear humanities with environmental justice and Indigenous rights activism. This reach across ways of knowing extends artistically: the poetry and photography included in this volume offer visions of past and present nuclear legacies.

Conceived as a critical reflection on the potential of nuclear humanities, Toxic Immanence offers intellectual strategies for resisting and abolishing the global nuclear regime.

Livia Monnet is professor of comparative literature and Asian studies at the Université de Montréal