Traces of Another Time

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A01=Margaret Scanlan
Age Group_Uncategorized
Age Group_Uncategorized
Alan Nunn May
Alan Sillitoe
Allusion
Anachronism
Anathema
Anglo-Irish people
Anthony Blunt
Anthony Burgess
Author_Margaret Scanlan
Autobiography
automatic-update
Category1=Non-Fiction
Category=DSBH
Category=DSK
Children of Violence
Conflation
COP=United States
Criticism
D. H. Lawrence
Defection
Delivery_Pre-order
Doris Lessing
Dream vision
Dubliners
Elizabeth Bowen
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Evocation
Farce
Fiction
Fictional universe
G. (novel)
Genre
Graham Greene
Guy Burgess
Historical fiction
Ibid (short story)
Iris Murdoch
Irony
J. G. Farrell
Jacques Derrida
John Braine
Joseph Hone
Kim Philby
Language_English
Lessing
Literature
Memoir
Mr.
Narrative
Newspaper
Novel
Novelist
Novelization
Nuns and Soldiers
On the Eve
Optimates
Orwellian
PA=Temporarily unavailable
Poetry
Post-structuralism
Price_€20 to €50
Promiscuity
PS=Active
Pseudohistory
Public history
Racism
Rience
Roderick Spode
softlaunch
Soliloquy
Stephen Dedalus
Subplot
Suggestion
Superiority (short story)
The Last September
The Other Hand
The Raj Quartet
The Red and the Green
The Various
Thucydides
Trickster
W. B. Yeats
Wolfe Tone

Product details

  • ISBN 9780691605258
  • Weight: 312g
  • Dimensions: 152 x 229mm
  • Publication Date: 14 Jul 2014
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Is the historical novel the outmoded genre that some people imagine--form inseparable from romanticism, nationalism, and the nineteenth century? In this stimulating volume, Margaret Scanlan answers a convincing "no," as she demonstrates the relevance of historical novels by well-known figures such as Anthony Burgess, John le Carr, Graham Greene, Doris Lessing, Iris Murdoch, and Paul Scott, as well as by less well established writers such as Joseph Hone and Thomas Kilroy. Scanlan shows what a skeptical, experimental approach to the relationship between history and fiction these writers adopt and how radically they depart from the mimetic conventions usually associated with historical novels. Drawing on contemporary historiography and literary theory, Scanlan defines the problem of writing historical fiction at a time when people see the subject of history as fragmentary and uncertain. The writers she discusses avoid the great events of history to concentrate on its margins: what interests them is history as it is experienced, usually reluctantly, by human beings who would rather be doing something else. The first section of the book looks at fictional representations of England's difficult history in Ireland; the second examines spies, aliens, and the loss of public confidence; and the third probes the theme of Apocalypse, nuclear or otherwise, and depicts the collapse of the British Empire as an instance of the greatly diminished importance of Western culture in the world. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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