Tracing Women's Romanticism

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A01=Kari E. Lokke
Author_Kari E. Lokke
Bettine Von Arnim
Category=DSK
Chopin
Da War
Die Manen
encore
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eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
female
Female Bildungsroman
Female Genius
female subjectivity in romantic novels
feminist literary criticism
Fountains Of Life
Free Italy
fuller
genius
George Sand
Germaine De
Goethe's Correspondence
Goethe’s Correspondence
Independent Woman
Karoline Von
kunstlerroman analysis
La Comtesse
Les Invisibles
Mal Du
margaret
Mary Wollstonecraft
mystical transcendence studies
nineteenth century literature
Nineteenth Century Woman Artist
patriarchal society critique
Romantic Melancholy
Si Tes
Subsequent Improvisational Performance
sur
Sur La Terre
tableau
terre
Traditional Bildungsroman
une
vast
Vast Tableau
women writers history
Young Man

Product details

  • ISBN 9780415339537
  • Weight: 540g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Sep 2004
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Awarded the 2005 Jean-Pierre Barricelli Book Prize by the International Conference on Romanticism

This book explores a cosmopolitan tradition of nineteenth-century novels written in response to Germaine de Staël's originary novel of the artist as heroine, corinne. The first book to delineate the contours of an international women's Romanticism, it argues that the künstlerromane of Mary Shelley, Bettine von Arnim, and George Sand offer feminist understandings of history and transcendence that constitute a critique of Romanticism from within. The book examines meditative, mystical and utopian visions of religious and artistic transcendence in the novels of women Romanticists as vehicles for the representation of a gendered subjectivity that seeks detachment and distance from the interests and strictures of the existing patriarchal social and cultural order. For these writers, the author argues, self-transcendence means an abandonment or dissolution of the individual self through political and spiritual efforts that culminate in a revelation of the divinity of a collective selfhood that comes into being through historical process.

Kari Lokke is Professor of Comparative Literature at the University of California, Davis. She is the author of Gérard de Nerval: The Poet as Social Visionary (1987) and co-editor of Rebellious Hearts: British Women Writers and the French Revolution (2001).

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