Tradition and Style in the Works of Darius Milhaud 1912-1939
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Act Ii Scene
Act III
Author_Barbara L. Kelly
Author_BarbaraL. Kelly
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Category=AVN
Category=NHD
Chamber Symphonies
De La Tour Eiffel
De Schloezer
Debussy's Death
Debussy’s Death
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Esther De Carpentras
French modernism
French Musical
French Musical Life
French Musical Press
French Musical Traditions
French national identity in music
Jewish composers exile
La Connaissance De
La Revue Musicale
Le Baiser De La
Le Coq
Le Courrier Musical
Le Retour De
Les Malheurs
Milhaud
Milhaud's Works
Milhaud’s Works
music theatre studies
Parisian avant-garde music
Pierrot Lunaire
polytonality analysis
Schola Cantorum
Symphonic Suite
twentieth-century composition
Vocal Score
Young French Composers
Product details
- ISBN 9780754630333
- Weight: 584g
- Dimensions: 156 x 234mm
- Publication Date: 21 May 2003
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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Described by Maurice Ravel as one of the most considerable talents in French music of his generation, Darius Milhaud remains a largely neglected composer. This book reappraises his contribution, focusing on the emergence of the composer's style until his Jewish background forced his exile to the United States on the eve of the World War II. The period 1912-1939 spans the crucial years that mark the development of Milhaud's mature style. It was also during this time that he published his most important writings on contemporary music and its relationship to the past. Barbara Kelly discusses the extent to which Milhaud's complex views on the idea of a French national musical heritage relate to his own practice, and considers how his works reflect the balance between innovation and tradition. Drawing comparisons with contemporaries, such as Debussy, Satie, Schoenberg, Stravinsky and Poulenc, the book argues that the rhythmic vitality of Milhaud's style and his modal approach within a polytonal context mark him out as an original and distinctive composer.
Barbara Kelly is Senior Lecturer in Music at Keele University. She researches on late nineteenth and early twentieth-century French music and on issues of French national identity from 1870-1939. She is author of several articles on Milhaud, Debussy and Ravel, including the Ravel article in The New Grove Dictionary of Music and Musicians, and chapters in the Cambridge Companion to Ravel and the Cambridge Companion to Debussy. She is preparing a study of Ravel’s late works.
