Tragic Form in Shakespeare

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A01=Ruth Nevo
Absurdity
Age Group_Uncategorized
Age Group_Uncategorized
Agnosticism
Anagnorisis
Anatomy of Criticism
Antony and Cleopatra
Author_Ruth Nevo
Authoritarianism
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Category1=Non-Fiction
Category=DSBD
Category=DSG
Category=DSGS
Censure
Characters of Shakespear's Plays
Conceit
Contemptus mundi
COP=United States
Coriolanus
Criticism
Defamation
Defection
Delivery_Pre-order
Demagogue
Despair (novel)
Dichotomy
Drama
Edmund (King Lear)
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Existentialism
Foe (novel)
Fortune's Fool (novel)
G. (novel)
Goneril
Gorboduc
Henriad
Hyperbole
Invective
Irony
King Lear
Language_English
Malapropism
Mercutio
Mess of pottage
Misery (novel)
Misfortune (folk tale)
PA=Temporarily unavailable
Parody
Peripeteia
Perjury
Pity
Plautus
Playwright
Polonius
Price_€100 and above
Prometheus
PS=Active
Psychomachia
Pun
Rhetoric
Romeo and Juliet
Rosaline
Sarcasm
Satire
Shakespeare's sonnets
Shakespearean tragedy
softlaunch
Soliloquy
Sophocles
Sprezzatura
Superiority (short story)
Taunting
Terence
The Fall of Princes
The Prophetess (play)
The Vision of Judgment
Tragedy
Tragic hero
Trickster
Tybalt
V.
Volumnia
Well-made play
Wheel of fire
William Shakespeare

Product details

  • ISBN 9780691646381
  • Weight: 765g
  • Dimensions: 152 x 235mm
  • Publication Date: 19 Apr 2016
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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A "symbolist" approach has dominated Shakespearean criticism for many years, but Ruth Nevo believes that the emphasis on static and pictorial aspects has obscured the essentially dynamic nature of dramatic expression and this study of the development of Shakespeare's tragic form is offered to correct the imbalance. From detailed analyses of each of Shakespeare's ten tragedies emerges a characteristic structure--a five-phased movement of discovery--that articulates and orders the traditional components of tragedy. This sequence is one of predicament, psychomachia, peripeteia, perspectives of irony and pathos, and catastrophe. It is a continuous, accumulative, and consummatory one, rather than a simple up-down movement or even a more complex thesis-antithesis-synthesis. Inheriting a five-act model and its developed rationale, Shakespeare used it to express an ever richer and more complex tragic experience. As the protagonist's life unfolds before us, the development of his tragic recognition is coextensive with the whole of the action. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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