Training of Noh Actors and The Dove

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A01=David Griffiths
Acting Square
Author_David Griffiths
basic
Basic Body Position
body
Category=ATDC
Category=DD
Down Stage
East Asian dramatic arts
Energy Resource
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eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
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eq_nobargain
eq_non-fiction
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Follow
Group Teaching Practice
IJ
Japanese performance studies
kan
kanze
Kanze School
Kyogen Actor
La Ri
Main Character
Mask Carving
mask performance techniques
Masked Dance Drama
masks
Mirror Room
Nishi Honganji
Noh Actor
noh actor training methodologies
Noh Masks
Noh Performance
Noh Performer
Noh Play
Noh Stage
Noh Theatre
performer
play
Professional Administration
Rehearsal Sequence
ritual drama training
school
stage
theatre
traditional theatre pedagogy
Upstage Wall
Zeami treatises analysis

Product details

  • ISBN 9783718657155
  • Weight: 350g
  • Dimensions: 178 x 254mm
  • Publication Date: 13 May 1998
  • Publisher: Harwood-Academic Publishers
  • Publication City/Country: CH
  • Product Form: Hardback
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First Published in 1998. This is the second volume of Mask: A Release if Acting Resources, and David Griffiths provides a detailed and sensitive view of the Japanese Noh theatre: historically, philosophically (with an evaluation of Zeami's treatises) and in respect of the rigorous practicalities of Noh training. The latter is given particular authority and insight because of the access Griffiths had to Noh actors in training and performance. Greatly enhanced with the author's illustrations, this volume gives one of the most accessible introductions to Noh that is available in English. Appended to the descriptive and analytic material is a short play, The Dove, written by Griffiths (and subsequently professionally performed) described as 'unashamedly' acknowledging its Noh influence. This one-woman price is a sensitive and evocative drama with subtle references to its cultural source. Is potential as an exercise in mask work is excellent.

David Griffiths is a playwright, teacher, theatre director, and book illustrator. He is particularly interested in the training of young performers and has conducted many mask workshops in schools, community centres, colleges, universities and theatre companies in Britain. He has worked with mask in Russia and studied the use of mask in Noh theatre in Japan. His plays have been broadcast by the BBC and have toured the UK and Ireland.

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